Having been a RHCP fan since their inception in the early 80’s this topic has my attention. I have found the Red Hot Chili Peppers to be an evolutionary band, constantly evolving and never becoming stale or stagnant. I have also been fortunate to have seen them live on several occasions. Their live performances are always top notch and high energy. The Red Hot Chili Peppers have never compromised who they are and what they represent, always making the music they wanted to make and having the image that they themselves were most comfortable with.
While the band itself has varied in members at times, they have never let it set them back, delivering poignant music time and again. They have never hid who they were even to the point of publicly talking about their personal situations.
We all know of “live” performance disasters and I don’t think this was one. I think the Red Hot Chili Peppers made the best of the situation and delivered a high energy “show”. If you doubt them go see them live, you’ll see.
Bruno Mars? Well, that’s a different story….
it’s loud, it’s funky, it’s the RED HOT CHILI PEPPERS!
When we were asked by the NFL and Bruno to play our song Give It Away at the Super Bowl, it was made clear to us that the vocals would be live, but the bass, drums, and guitar would be pre-recorded. I understand the NFL’s stance on this, given they only have a few minutes to set up the stage, there a zillion things that could go wrong and ruin the sound for the folks watching in the stadium and the t.v. viewers. There was not any room for argument on this, the NFL does not want to risk their show being botched by bad sound, period.
The Red Hot Chili Peppers stance on any sort of miming has been that we will absolutely not do it. The last time we did it (or tried to) was in the late 80’s, we were thrown off of ‘The Top Of the Pops’ television program in the U.K. during rehearsals because we refused to mime properly, I played bass with my shoe, John played guitar atop Anthony’s shoulders, and we basically had a wrestling match onstage, making a mockery of the idea that it was a real live performance.
We mimed on one or two weird MTV shows before that and it always was a drag. We take our music playing seriously, it is a sacred thing for us, and anyone who has ever seen us in concert (like the night before the Super Bowl at the Barclays Center), knows that we play from our heart, we improvise spontaneously, take musical risks, and sweat blood at every show. We have been on the road for 31 years doing it.
So, when this Super Bowl gig concept came up, there was a lot of confusion amongst us as whether or not we should do it, but we eventually decided, it was a surreal-like, once in a life time crazy thing to do and we would just have fun and do it. We had given this a lot of thought before agreeing to do it, and besides many a long conversation amongst ourselves, I spoke with many musician friends for whom I have the utmost respect, and they all said they would do it if asked, that it was a wild trippy thing to do, what the hell. Plus, we the RHCP all love football too and that played a big part in our decision. We decided that, with Anthony singing live, that we could still bring the spirit and freedom of what we do into the performance, and of course we played every note in the recording specially for the gig. I met and spoke with Bruno, who was a beautiful dude, a real talented musician, and we worked out something that seemed like it would be fun.
We recorded a track for the day, just banged one out from our hearts that was very like in spirit to the versions we have been playing live the last few years with our beloved Josh on guitar.
For the actual performance, Josh, Chad, and I were playing along with the pre recorded track so there was no need to plug in our guitars, so we did not. Could we have plugged them in and avoided bumming people out who have expressed disappointment that the instrumental track was pre recorded? Of course easily we could have and this would be a non-issue. We thought it better to not pretend. It seemed like the realest thing to do in the circumstance. It was like making a music video in front of a gazillion people, except with live vocals, and only one chance to rock it. Our only thought was to bring the spirit of who we are to the people.
I am grateful to the NFL for having us. And I am grateful to Bruno, who is a super talented young man for inviting us to be a part of his gig. I would do it all the same way again.
We, as a band, aspire to grow as musicians and songwriters, and to continue to play our guts out live onstage for anyone who wants to get their brains blown out.
Sincerely,
Flea
Photo by Clara Balzary
Great live band, I have seen them several times. Thanks Flea!
Andy- Lead Vocals
Tom – Guitars
Goran – Bass
Michael – Drums
The up-and-coming sensational four-piece modern metal band ToxicRose was formed in Stockholm Sweden in 2010.
Consisting of Tom (Gemini Five), Andy and Michael (both EX Lipstixx ‘n’ Bulletz) and Goran (EX Sexydeath).
There is no compromising or limits in the world of ToxicRose. Powerful Vocals combined with Aggressive Guitars , Grand melodic Synths & Dark Emotional Lyrics.
TXR stands tall for the outcast and they’re here to take metal to a new level.
With their catchy melodic epic metal anthems and shocking look they are unstoppable!
Peter Tägtgren – Vocals & Guitar
David Wallin – Drums (2003)
Michael Bohlin – Guitar (2007)
Johan Husgafvel – Bass (2007)
PAIN is a musical project from Sweden that mix heavy metal with influences from electronic music and techno. The project started out as a hobby project for front man Peter Tägtgren, whose idea was to fuse heavy metal with 1980s-inspired electro-industrial and techno influences. Tägtgren, who is also the vocalist/guitarist of Hypocrisy and producer of his own The Abyss studios, is the only current member.
Jason M Arigoni -Vocals-Songwriting
Dan Zavadil- Bass-Songwriting
Session Players:
Jason Bittner-Drums
Ben Carroll-Guitar
With strong melodic presences and driving beats, HALF PAST MY SIN will find a place with fans of bands like SEVENDUST, DISTURBED and DROWNING POOL, to name a few…..
The new Album from Half Past My Sin “4:44” featuring Sinn on vocals and Dan Zavadil on bass with special guests Jason Bittner of Shadows Fall on drums and Ben Carroll of RA on guitars!!! Also appearing on 4:44 will be the songwriting Clint Lowery of Sevendust!!!
Out early 2013!!!!
welcome to the sin!!!
Jason Newsted – Bass, vocals
Jesus Mendez Jr. – Drums
Jessie Farnsworth – guitars
In December 2012, Jason announced that he had formed his own band called Newsted with drummer Jesus Mendez Jr. and guitarist Jessie Farnsworth. The band released a four-song EP, titled Metal, on January 8, 2013.
Ricky Warwick – Vocals/Guitar
Scott Gorham – Guitars
Damon Johnson – Guitars
Marco Mendoza – Bass
Jimmy DeGrasso – Drums
In October 2012 Thin Lizzy announced that they would not be recording new material under the Thin Lizzy monicker. The last incarnation of the band – Scott Gorham, Brian Downey, Darren Wharton, Ricky Warwick, Damon Johnson and Marco Mendoza – would be looking to form a new project.
Step forward Black Star Riders…
Today sees the announcement of the new band formed by Thin Lizzy alumni Ricky Warwick (vocals), Scott Gorham (guitar), Damon Johnson (guitar), Marco Mendoza (bass) with new addition Jimmy DeGrasso on drums (Alice Cooper, Megadeth, David Lee Roth, Suicidal Tendencies). The change in personnel came about as Brian Downey didn’t want to commit to the touring cycle a new album would entail and Darren Wharton wanted to concentrate on Dare and other music and film projects.
Black Star Riders is set to enter the studio in Los Angeles in January 2013 to start recording their debut album with the legendary Kevin Shirley (Led Zeppelin, Iron Maiden, Aerosmith, Rush). The album will feature material the band wrote whilst touring as Thin Lizzy and the sound retains that classic feel but is very much its own as well. The Black Star Riders record is the next step in the evolution of the Thin Lizzy story.
Chad Smith – Drums
Boe Skadeland – Bass
Todd Evans – Guitar/Vocals
Based out of Toledo, Ohio, MOBILE DEATHCAMP has been sawing clubs in half, and leaving crowds with their collective jaws on the floor since the band’s inception in 2008. Formed by Todd Evans at the end of his 6 year stint as Beefcake The Mighty with the legendary shock rockers, GWAR, and joined in aural battle by Boe Skadeland and Chad Smith, this musical terror pocket has been consistently leveling venues across North America.
Johnny DiCarlo – Lead Vocals – Guitar
James Watson – Guitar – Vocals
Marcus Giannamore – Drums
George Scott – Bass
“NeverWake” concentrates on songs that reside between Rock and Metal to bridge both genres. They combine memorable, melodic vocals and gothic guitar harmonies over heavy distortion to achieve their style. They are currently looking to be signed to a record label and hit the road. NeverWake continues to develop their style by incorporating more complex riffs, heavier background vocal style, and dark orchestration while keeping their melodic lyricism. NeverWake released their debut full-length album “VITALITY” in August 2011, produced/engineered/mixed by Mike Ofca at Innovation Studios! “Vitality” is available on iTunes and other main online retailers. You can also order the hard copy by emailing neverwakemusic@gmail.com for inquires.
Recently, they have also released their debut music video on YouTube for the song “Pulse”, produced by Jeff Moore of Axtravaganza Films!
Mark Alexander – Guitar
Sam Rhodes – Guitar
Jason Sain – Vocals
Matt Staley – Bass
Kenny Wyatt – Drums
3 Quarters Dead was formed back in 1999 with original members Kenny Wyatt and Mark Alexander. After they returned from a tour with Mushroomhead, they began recording their second full length CD with Steve Felton (Skinny) of Mushroomhead. The vocalist at that time was Waylon Reavis who was recruited by Mushroomhead to take the place of J-Mann (aka Jason Popson) who had announced his departure from the band. After starting all over, they finally found a vocalist that suited their style of music. Jason Sain started with the band in late 2007. In 2008 they recorded “Between Angels & Demons” with producer Jamie King of ‘Between The Buried & Me’, ‘The Human Abstract’ fame. In late 2009 they signed with indie label ‘Project Alpha Music’ and released their latest effort “Once Upon This Broken Glass” in March, 2010.
The lead single, “The Unknown” is off of their new CD “Once Upon This Broken Glass. It about loves someone who doesn’t love you back. This song has many melodic sections to it. But when you hear the change ups which are dynamic, it sets a tone of a story being told through 3 degrees of separation. These three levels are clearly defined and portrayed beautifully by the talents of these individuals.
In 2009, Uta Plotkin added her voice to Witch Mountain in front of a triumphant sold out crowd at Portland, OR’s venerable club Satyricon. Supporting Pentagram—East coast godfathers of American doom who also took far too long to receive their rightful due—Plotkin brought the necessary ingredient that Witch Mountain founders Rob Wrong and Nate Carson had been seeking since they initially formed the group back in 1997.
Originally far out of step with the lazy, indie-rock scene in Portland, guitarist Wrong and drummer Carson sought to put their own stamp on the tradition of doom metal as laid down by Black Sabbath, Candlemass, Trouble, and Saint Vitus. Years of road work in support of peers such as High on Fire, Spirit Caravan, Electric Wizard, YOB, Weedeater, Eyehategod, and all the rest had granted Witch Mountain a solid footnote in the history of one of music’s heaviest genres. And though real life careers took the band largely out of commission between 2003 and 2008, Plotkin’s emergence kicked the band back into a high gear that shows no signs of waning.
With renewed vigor, WM returned to the studio to capture the long-awaited sophomore album South of Salem. Produced by master “engine-ear” Billy Anderson (Sleep, Neurosis, Melvins), the record was self-released by the band on vinyl, and shortly thereafter recognized as the “#4 Best Metal Album of 2011” by NPR. With a SXSW showcase, west coast tours with Christian Mistress and Wino project Premonition 13, and a massively downloaded Adult Swim compilation under its belt, Witch Mountain proved its modern work ethic and soon signed up with dream label Profound Lore.
Once South of Salem was unleashed on CD and properly distributed, it was time to follow up with all new material. 2012’s Cauldron of the Wild was the answer, produced once more by Billy Anderson, and this time featuring a further matured sound and more immersive influence from Plotkin. Rob Wrong was writing the best, heaviest blues-metal he’d yet conjured, and Carson–as both manager and booker–kept the band grounded in a professional DIY ethic. New bassist Neal Munson fit like a glove, and overall the group has never fired on all cylinders so successfully.
How many times have you heard “This band sold out” or “That band went mainstream”? I have heard this about several bands throughout the years. Let;s take a look at several bands that have “changed direction” , or have stayed the same and if that has worked for them.
QUEEN 1971 – 1991 the Freddie Mercury years
Queen remains one of my favorite bands of all times. The band was constantly evolving and changing throughout their career. They explored many styles of music during their recording career. They were never afraid to branch out and explore their creativity. Here are two songs that show their diversity. The world lost a beautiful soul when Freddie Mercury passed away in 1991, we will forever miss and love you Freddie, thank you for your music. Queen pulled off, to great success, changing directions.
“Keep Yourself Alive” from QUEEN – 1973
“These Are The Days Of Our Lives” from INNUENDO – 1991
MEGADETH1983 to present
Megadeth is a band who has stayed true to their original vision. Their style of speed/thrash metal has pretty much been a constant throughout their career. While some will say it has hurt their career, their fans remain loyal, and their record sales constant. I say cheers to Dave and crew (though they have changed over the years) keep it going! Staying true to their direction has worked for Megadeth.
“Peace Sells” from Peace Sells…but Who’s Buying? – 1986
“Whose Life (Is It Anyways?)” from Th1rt3en – 2011
RED HOT CHILI PEPPERS 1983 to present
This band has always been in a special place in my heart. Never afraid to be who they are, always giving their all to their fans. Their members and styles have changed throughout the years but they have always managed to pull it off. Playing what they want to and disregarding the critics their music reflects the colorful personalities that infuse this band. Many people have tried to pigeonhole this band to a certain genre, to no avail. I call them a Rock N’ Roll band PERIOD. Thank you RHCP, you have given my soul much joy. Keep growing and evolving and stay true to your passions.
“True Men Don’t Kill Coyotes” from TheRed Hot Chili Peppers – 1984
“The Adventures Of Rain Dance Maggie” – from I’m With You – 2011
METALLICA – 1981 to present
Ahhh Metallica, the source of great contention amongst metal heads. Some say they sold out with the “Black” album, some say they didn’t. I think they have made some questionable choices in the past years, but they remain strong as one of the driving forces in metal music. As part of being human we are constantly changing and growing (well, some of us do) as the events surrounding us dictate. The guys in Metallica are not immune. Growing older, gaining families, becoming financially stable HAS to affect them, and their music. I, for one, appreciate that fact and despite their making some music that does not always appeal to me I stand by this band and remain a fan. R.I.P. Cliff Burton, miss you!
“No Remorse” from Kill ‘Em All – 1983
“All Nightmare Long” from Death Magnetic – 2008
GUNS N’ ROSES 1985 to present???
GNR WHAT HAPPENED?!?!?!? They were poised to take over the world and instead they burned it down. The energy of the the five original members was the perfect combination. Then the backup singers, the keyboard players, the horn section, etc… etc… sigh. I know this band has been the topic of great controversy, and probably will remain so for a long, long time. I will always remain in love with early GNR and the music they made and I am grateful for that, post original five, not so much. I personally believe the direction that the band took killed them (this is my humble opinion). Oh well we have our memories…. if we could only find our way back to the jungle.
“Welcome To The Jungle” from Appetite For Destruction – 1987
“This I Love” from Chinese Democracy – 2008
BLACK LABEL SOCIETY 1998 to present
Ahhh BLS, now here’s a band that I totally get. Members have come and gone and yet this band gets stronger and stronger. Great music year after year, record after record and a loyal fan base that unifies together as one big BLS family. Zakk Wylde never shies away from playing whatever he wants, piano based ballads, acoustic songs, full out electric, it matters not to Zakk. With BLS it never grows stagnant and you will never be bored! GI/FD!!!
“Born To Lose” from Sonic Brew – 1999
“Overlord” from Order Of The Black – 2010
These are just my opinions on bands that have (or have not) changed direction, please feel free to comment or message me with your ideas or thoughts and I will post them here.
the Hellion Rocks 