A tale of two Queensrÿches

TriRyche

A long time ago on a radio station far away…

I heard a song that caught my attention and drew me in. It was 1983, the song was “Queen Of The Reich”,  and Queensrÿche was the band. Over the years I grew to love the music and eagerly snapped up each and every release. In my humble opinion their music evolved, growing better and better which each new album.

The elements of  Queensrÿche were Geoff Tate on vocals, Chris DeGarmo on guitars, Michael Wilton on guitars, Scott Rockenfield on drums, and Eddie Jackson on bass. This lineup wrote some great, long lasting music that will forever remain in my heart.

Things were great for them until 1998 when Chris DeGarmo left the band. The salad days were over…

Various guitarists came and went in the following years, and then in 2012, the band parted ways with Geoff Tate and Todd La Torre was his replacement.

This is where the trouble started. I tried to stay out of making any statement on the whole mess but I recently read some articles on it and decided to finally weigh in on the subject.

When a band loses someone readily identifiable as their lead vocalist it is quite apparent. Some bands have managed to pull it off successfully (Van Halen, AC/DC for example). While I am familiar with Todd and his voice, he is no Geoff Tate and I feel he has been pushed into a situation where he is trying to live up to Geoff and not develop his own style. While Geoff has had to gather musicians around him to recreate the Queensrÿche sound. What are we left with? In my opinion, watered down versions.

Queensryche_with_Geoff_Tate_-_Frequency_UnknownQueensryche_with_Todd_La_Torre_-_Queensrÿche_2013

2013 brought us two Queensrÿche records Frequency Unknown from the Geoff Tate version, and the self titled Queensrÿche from the Todd La Torre version. Here’s where I start pissing some people off. I feel that these two records are mediocre at best, there I said it. Each record has its good points but ultimately both fall short of the mark for the Queensrÿche legacy. I also feel that the inclusion of rerecorded classic Queensrÿche songs on each record were a feeble attempt by each lineup to try and show each other up.

What to do, what to do? I think both Queensrÿches need to take note of what the current lineup of Thin Lizzy has done. The band took stock of what had been and what was to be and made the decision to rebrand themselves as Black Star Riders. This allowed the freedom to create new music under the new name and play the classic Thin Lizzy songs keeping the legacy intact. The guys in Velvet Revolver moved on and still payed tribute to their previous bands as well.

While the Todd La Torre version did briefly appear as Rising West they dropped that and returned to performing under the Queensrÿche moniker. I think that they should have stayed n that path and become a new band and moved forward with it and still honored the Queensrÿche history in their live performances.

The Geoff Tate version should have done the same thing. Geoff and his new crew should have found a new identity under a new name and moved forward as well and honored Queensrÿche in their live performances as well.

Don’t get me wrong, I have the utmost respect for all of the musicians involved and the Queensrÿche legacy,  in fact I have the Tri-Rÿche logo tattooed on my arm, but I feel all parties involved need to let it go and move forward. 20140404_062220_1

 

    ” Your heads in overload.
You’ve reached your threshold
and you’re about to explode.

Open your eyes. Just say what you want to say?
Open your eyes, you see yours isn’t the only way .
Open your eyes. To you everyone is blind.
Open your eyes and your mind.”

     Rest In Peace Queensrÿche – the Hellion

 

 

SIGHT OF EMPTINESS Announce Official Release Date For ‘Instincts’!

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SIGHT OF EMPTINESS Announce January 21st Release Date for ‘Instincts’;

Video For “Essence” Online Now!

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Costa Rica’s finest musical export is ready to take on the world! SIGHT OF EMPTINESS has been hard at work towards making an impact on the global metal scene since the release of ‘Trust Is A Disease’ in 2007 – the same year the band won the Bloodstock Unsigned Contest and played the mainstage of Bloodstock Open Air.

Since then, SIGHT OF EMPTINESS has been hard at work. Releasing another album independently in 2009 and supporting heavyweights such as Megadeth, At The Gates, Obituary and more — even playing national concerts for the Costa Rican government to over 15,000 people and being invited back to play Bloodstock Open Air in 2012, without entering a contest.

The band’s hard work culminates now, as they prepare to unleash their third full length album ‘Instincts’ on January 21st! 

‘Instincts’ is a heavy-hitting dose of melodic death metal that will hit home with fans of Amon Amarth, At The Gates, In Flames and the like. It is also a very targeted effort to reach the worldwide metal masses. Produced by  Thomas “Plec” Johansson (Watain, Scar Symmetry, etc), ‘Instincts’ features a who’s who of incredible musicians guesting on the album. Tracks featuring Glen Drover (Megadeth, King Diamond), Ralph Santolla (Deicide, Iced Earth), Christian Alvestam (Scar Symmetry) and Whitfield Crane (Ugly Kid Joe) make the album standout on looks alone, but the songs themselves will have fans coming back for more!

Not only have SIGHT OF EMPTINESS caught the attention of their peers, but also the Costa Rican government as ‘Instincts’ also features a guest appearance of Manuel Obregon, the Minister of Culture & Youth for Costa Rica’s government.

To get your first tastes of ‘Instincts’, check out the first video from the album for the track “Essence” (featuring Whitfield Crane of Ugly Kid Joe)” at the following location: 

www.sightofemptiness.com
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