It’s not every day you get the chance to talk with a legend. When we were offered the opportunity to talk with Bob Kulick, I immediately thought Mike Araiza would be the perfect host for this interview. Boy was I right, you can check out the stellar interview below.
Make sure you also check out Bob’s new record “Skeletons In The Closet” which will be released on September 15 through Vanity Music.
it’s loud, it’s dirty, it’s Rock N’ Roll!!!
(Bob Kulick Style!)
-the Hellion
Had a great conversation with Frankie Banali about the new Quiet Riot release Road Rage!
Check it out here:
http://www.frontiers.shop/search?sSearch=Quiet+Riot
https://www.amazon.com/Road-Rage-Quiet-Riot/dp/B071FKGKFC/ref=sr_1_1? ie=UTF8&qid=1501808705&sr=8-1&keywords=Quiet+Riot
it’s LOUD, it’s DIRTY, it’s QUIET RIOT (so bang your head)
-the Hellion
Frontiers Music s.r.l. out on 08/04/17
1.Can’t Get Enough
2. Getaway
3. Roll This Joint
4. Freak Flag
5. Wasted
6. Still Wild
7. Make A Way
8. Renegades
9. The Road
10. Shame
11. Knock Em Down
Having been a Quiet Riot fan since forever I have to say I was quite intrigued when I heard they had hired James Durbin as their new vocalist. I had been paying attention and waiting for the new record to drop when, to my surprise, I received a preview copy of Road Rage in my inbox.
Not sure what to expect from 2017 lineup of Frankie Banali (drums), Chuck Wright (bass), Alex Grossi (guitars), and James Durbin (vocals) I quickly found myself picking my ass up off the floor upon listening to it.
The songs on Road Rage take me back to the days when groove laden rock was the norm, and yet these tracks have a freshness to them. There are homages to 70’s and 80’s bands throughout this record that make it a comfortable, yet head banging listen.
There are those who have proclaimed the death of Rock and Roll as we know and love it. I would say to them, “Listen to the new Quiet Riot record Road Rage and get back with me on that.”
Stand out tracks for me include: “Can’t Get Enough”, “Getaway”, “Still Wild”, and “Knock Em Down”.
As expected Frankie lays down a solid bed for the rest of the band to build upon. Chuck rounds out Frankie’s drumming with a heavy bottom end. Alex walks his guitar all over the map and if you listen you will hear the talent that this man has. James had his work cut out for him by laying vocals over such amazingly crafted music, and he pulled it off, and then some.
The record officially drops on 08/04/17 on Frontiers Music s.r.l. and I will for sure be ordering a copy to support hard working musicians to keep doing what they do and what we love.
I would give this a solid 8 out of 10 stars.
it’s loud, it’s dirty, it’s QUIET RIOT
(so BANG YOUR HEAD)
-the Hellion
Sometimes people cross your paths and leave a positive impact on you. I found one of those people in Marty Casey.
From first seeing him on Rockstar INXS, then meeting him when he was singing for LA Guns, and now a conversation with him, Marty has had that positive impact on me.
Please take a moment and listen to our conversation and understand who Marty is and the message he brings right here:
After listening do yourself a favor and click the link below the album cover and order the new record.
http://www.pledgemusic.com/projects/martycasey
Here’s a couple of videos from the new record, enjoy:
it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!
-the Hellion
In the beginning, Rock N’ Roll was underground. It was not mainstream at all. Eventually it became widely accepted and part of our culture.
Rock radio helped to expose us to bands and music in ways like no other. There was a time when that was how we discovered new bands and songs. Record stores popped up everywhere and one could hang out and explore and find new music as well. We then had the arrival of music video channels which gave us another source to discover new bands and music.
Then radio became less user friendly and more commercial, only playing what they were told. The record stores began closing their doors. Music video channels stopped playing music videos. What happened?
The internet had come along and was added into the thick of things. Some people put the blame on that.
What happened to the music world? Is there still great new music being made? How does one find new music these days? I mean with all the music being flooded onto the web how does one find that jewel that reaches out to you?
Do you think that some of the bands we all know and love would have made it if they had just started out in today’s world?
I often wonder if the next Aerosmith, Led Zeppelin, Van Halen, etc. etc. is out there lost in the shuffle.
Just some thoughts I was pondering… what are yours?
-the Hellion
Grab a cold one, crank up the volume, and enjoy my conversation with the one, the only, Appalachian Apostle: ADAM JOAD from Scattered Hamlet.
After listening go to www.scatteredhamlet.com and preorder Swamp Rebel Machine!!!
it’s loud, it’s dirty, it Scattered Hamlet!!!
-the Hellion
Had the chance to chat with Justin Manning about some stuff…so check it out:
-the Hellion
I recently received the new Monte Pittman record Inverted Grasp Of Balance for review. Little did I know that it would cause me to have a profound revelation to a question I have been seeking an answer to. Over the years of recorded music people have been trying to answer the question: What makes a record good? There has been a myriad of answers that run the gamut of the music industry. The problem is most of the answers that have been provided are subjective to the answerer and biased to their own opinions. For me, at least, I feel that I have finally answered said question. A good record is one that when you put it on you find yourself turning it up, tapping your foot or nodding your head to the beat, and when it’s over you find yourself feeling as if you just got back from…somewhere.
I was excited to review this record as I have spoken with Monte before and have enjoyed his previous work. I didn’t realize that I would spend the rest of the day and the next listening to it on repeat and still humming the songs long after. There is a level of craftsmanship to this record that is hard to find these days (one other is the work of Jeff Sandoval and Mike Araiza). There is no doubt that music flows through the soul of Monte Pittman and I hear nods to so many musicians in his playing and writing. When a record is made for the purpose of sharing what one feels in their minds ear, it is profound and beautiful.
Inverted Grasp Of Balance features Monte on guitars and vocals, Richard Christy (Charred Walls Of The Damned, Iced Earth, Death) on drums, and…..wait for it….Billy Sheehan, yes I said Billy Sheehan (David Lee Roth, Mr. Big, Winery Dogs, just to name a few) on bass. Jay Ruston (Anthrax, Steel Panther) handled the production duties and the record sounds clean and crisp. I read somewhere that Monte recorded his guitar parts while on the road, but this record feels so organic to me and it feels like someone turned on a mic in a jam room and captured some live magic.
Inverted Grasp Of Balance gives us twelve tracks which flow together beautifully and I guarantee you will NOT find yourself reaching for the skip button, in fact you WILL find yourself reaching for the repeat button.
If you have to pin me down for stand out tracks I would have to say “Skeleton Key” just reaches out to me the most. This track, in my opinion should be on every radio station across the planet, period. It’s just good rock n’ roll that gets in your head.I find myself just humming throughout the day. “California” opens with bass that just drips with cool and is pure Billy Sheehan and then paints a picture in your mind of being on a cool road trip with the radio blasting, the wind in your hair, and your best friends at your side. “New Blood Keeps Us Alive” is an epic track that, again, I feel should be blasting out of every speaker across the world. It begins with some wonderfully beautiful acoustic work that grows to some powerful rock n’ roll worthy of note. This song opens up the mind and makes you reflect on life.
Monte’s guitar work is across the map on Inverted Grasp Of Balance, taking from gentle acoustic to balls out shredding, and it all works in connection with each other. Not only is there stellar guitar work here Monte’s vocal work is strong and epic as well. The songwriting on Inverted Grasp Of Balance is something else. Monte has reached deep within and written some deep compositions that I believe were truly from the point of artistry. Combine all of that with great drumming and legendary bass playing this is a music lovers wet-dream.
Inverted Grasp Of Balance drops on Sept 23 on Metal Blade Records make sure you do NOT miss out on this record.
Inverted Grasp Of Balance track-listing
1. Panic Attack
2. Arisen in Broad Daylight
3. Guilty Pleasure
4. The Times Are Changing
5. Double Edged Sword
6. Cadabra
7. Pride Comes Before the Fall
8. California
9. Be Very Afraid
10. Obliterated
11. Skeleton Key
12. New Blood Keeps Us Alive
Pre-order “Inverted Grasp of Balance” at metalblade.com/montepittman/
Monte Pittman online:
http://www.montepittman.com
https://www.facebook.com/MontePittman
http://www.youtube.com/MontePittmanMusic
https://soundcloud.com/montepittman
http://twitter.com/montepittman
http://www.instagram.com/montepittman
https://montepittman.bandpage.com
https://myspace.com/montepittman
it’s loud, it’s dirty, it’s Monte Pittman
-the Hellion
Summer of 1977…
I had just met the neighbor kid in the apartment complex we had just moved into. He invited me over to hang out and listen to music one afternoon. He asked me if I liked Black Sabbath and I told him that “Iron Man” was a cool song but that was about all I knew. He then proceeded to play Master of Reality. The music was like an adrenaline shot to my senses. I was hooked immediately and had to have more and find out all I could about Black Sabbath.
Over time I managed to collect their music and it became a part of my regular listening schedule. I couldn’t explain it but the music reached me on many levels. And then, as quickly as I had found them, there was news of a band split.
Back then (before up to the minute news from the internet) rumors began circulating of Ozzy leaving the band. This unfortunately became truth.
It came to pass that Black Sabbath had hired Ronnie James Dio to sing and Ozzy launched a solo career. I was a long time Rainbow fan and was curious to see what Dio would bring. I was positive that Ozzy would have some cool stuff as well.
Let’s talk Black Sabbath first. With the addition of Dio they brought us Heaven and Hell. I like this record but it brought about a sense of change to the Black Sabbath style. I always felt that this record took them in a more pop rock oriented style. It wasn’t bad but it just wasn’t MY Black Sabbath that I’d grown to love. It proved to be the same with the Mob Rules. They had just failed to reach as had been done with their previous work. I like both records and still listen to them today but not nearly as much as the earlier work. And then Dio was gone.
To be honest I left them at that point not even bothering to listen or seek out their music. Black Sabbath was lost to me at that time.
Ozzy went on to great success as a solo artist. He surrounded himself with stellar musicians and made some good records. Like Dio era Sabbath it was different. Ozzy tried to cultivate the Prince Of Darkness image but it failed to reach me. The music while great again, in my opinion, leaned a little more towards the pop rock side.
I know, I know, I can just see some of you rolling your eyes at this. Change is ok and sometimes can be good. It was good for Ozzy’s career and not so much with Black Sabbath. Sabbath eventually reunited with Dio for Dehumanizer before parting ways again.
Eventually Ozzy and Sabbath got over the past and reunited for 13 (without Bill Ward), but, for me, the magic just wasn’t there anymore.
Over time we lost Dio to cancer, Ozzy’s solo career kind of came to a slow down, and Sabbath again had some infighting leading to a permanent split with Bill Ward. But, as I have said in other conversations, that is band business of which we as fans have no part.
All in all, it’s been a good ride with Sabbath and Ozzy. I will always have and cherish the early music they made. Black Sabbath, Paranoid, Master of Reality, Vol. 4, Sabbath Bloody Sabbath, Sabotage, Technical Ecstasy, and Never Say Die! will ALWAYS be the definitive Sabbath albums for me. I will still continue to support anything Sabbath or Ozzy does because that’s what we as music fans do. I don’t have to love it but without that support it will go away. The bands that were influenced by Black Sabbath are countless.
Thank you Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward for the hours upon hours of enjoyment you have given to me over the years. You four will forever be Black Sabbath in my heart and mind. To all of the others who have had a hand in the Sabbath legacy: Geoff Nicholls, Craig Gruber, Vinny Appice, Ian Gillen, Bev Bevan, Ron Keel, David Donato, Eric Singer, Dave Spitz, Glenn Hughes, Ray Gillen, Bob Daisley, Tony Martin, Cozy Powell, Laurence Cottle, Neil Murray, Bobby Rondinelli, Mike Bordin, Adam Wakeman, Tommy Clufetos, Rick Wakeman, Gerald Woodroffe, Don Airey, Brad Wilk thank you for being a part of such legends. Zakk Wylde, ZAKK SABBATH?!?!?! That’s what I’m talking about!
Dio, you just rule, period.
It’s loud, it’s dirty, it’s mother#$%*ing SABBATH!!!
-the Hellion
My mom introduced me to music at a very young age. There was always some kind of music playing somewhere in the house. One of my earliest musical memories is running around with my cousins screaming in our tiny off key voices “Yellow Submarine” by the Beatles.
The music my mom listened to was across the map, but mostly rock oriented. My stepfather, however, was a country man and there was no alternative. I learned to appreciate the sounds I was hearing from songs that they both listened to. I felt the stories they were telling, and that was how I interpreted them, as stories. These “stories” would end up becoming my best friends as my childhood took some nasty turns. They were always there and wouldn’t ever let me down. I ultimately developed an affinity for rock and that became my preferred style of music. I never did lose my appreciation for classic country music though.
The 70’s were a great time for music on the radio. I could hear a broad spectrum of artists on one rock station from ABBA to ZZ Top. I LISTENED and devoured all of the music that I could, often staying up until the wee hours with a small radio under my pillow. I remember a conversation with my mom once where I asked her why she liked music so much her reply was “Because the songs take me away to different places.” I got it, and found myself taking the same journeys. The music was fresh and entertaining and never ever seemed to go stale for me. There was no sub, sub, sub genres, just good music.
This was a time when it was cool to one day wear a Bee Gees shirt and a KISS one the next. We just loved the music. We were clueless and we loved it. We used our imaginations to think about what our favorite musicians were doing and what they would do next, there was bliss in our ignorance.
…it was just music and we simply loved it.
-the Hellion
the Hellion Rocks 