Black Sabbath

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Summer of 1977…

I had just met the neighbor kid in the apartment complex we had just moved into. He invited me over to hang out and listen to music one afternoon. He asked me if I liked Black Sabbath and I told him that “Iron Man” was a cool song but that was about all I knew. He then proceeded to play Master of Reality. The music was like an adrenaline shot to my senses. I was hooked immediately and had to have more and find out all I could about Black Sabbath.

Over time I managed to collect their music and it became a part of my regular listening schedule. I couldn’t explain it but the music reached me on many levels. And then, as quickly as I had found them, there was news of a band split.

Back then (before up to the minute news from the internet) rumors began circulating of Ozzy leaving the band. This unfortunately became truth.

It came to pass that Black Sabbath had hired Ronnie James Dio to sing and Ozzy launched a solo career. I was a long time Rainbow fan and was curious to see what Dio would bring. I was positive that Ozzy would have some cool stuff as well.

Let’s talk Black Sabbath first. With the addition of Dio they brought us Heaven and Hell. I like this record but it brought about a sense of change to the Black Sabbath style. I always felt that this record took them in a more pop rock oriented style. It wasn’t bad but it just wasn’t MY Black Sabbath that I’d grown to love. It proved to be the same with the Mob Rules. They had just failed to reach as had been done with their previous work. I like both records and still listen to them today but not nearly as much as the earlier work. And then Dio was gone.

To be honest I left them at that point not even bothering to listen or seek out their music. Black Sabbath was lost to me at that time.

Ozzy went on to great success as a solo artist. He surrounded himself with stellar musicians and made some good records. Like Dio era Sabbath it was different. Ozzy tried to cultivate the Prince Of Darkness image but it failed to reach me. The music while great again, in my opinion, leaned a little more towards the pop rock side.

I know, I know, I can just see some of you rolling your eyes at this. Change is ok and sometimes can be good. It was good for Ozzy’s career and not so much with Black Sabbath. Sabbath eventually reunited with Dio for Dehumanizer before parting ways again.

Eventually Ozzy and Sabbath got over the past and reunited for 13 (without Bill Ward), but, for me, the magic just wasn’t there anymore.

Over time we lost Dio to cancer, Ozzy’s solo career kind of came to a slow down, and Sabbath again had some infighting leading to a permanent split with Bill Ward. But, as I have said in other conversations, that is band business of which we as fans have no part.

All in all, it’s been a good ride with Sabbath and Ozzy. I will always have and cherish the early music they made. Black Sabbath, Paranoid, Master of Reality, Vol. 4, Sabbath Bloody Sabbath, Sabotage, Technical Ecstasy, and Never Say Die! will ALWAYS be the definitive Sabbath albums for me. I will still continue to support anything Sabbath or Ozzy does because that’s what we as music fans do. I don’t have to love it but without that support it will go away. The bands that were influenced by Black Sabbath are countless.

Thank you Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward for the hours upon hours of enjoyment you have given to me over the years. You four will forever be Black Sabbath in my heart and mind. To all of the others who have had a hand in the Sabbath legacy: Geoff Nicholls, Craig Gruber, Vinny Appice, Ian Gillen, Bev Bevan, Ron Keel, David Donato, Eric Singer, Dave Spitz, Glenn Hughes, Ray Gillen, Bob Daisley, Tony Martin, Cozy Powell, Laurence Cottle, Neil Murray, Bobby Rondinelli, Mike Bordin, Adam Wakeman, Tommy Clufetos, Rick Wakeman, Gerald Woodroffe, Don Airey, Brad Wilk thank you for being a part of such legends. Zakk Wylde, ZAKK SABBATH?!?!?! That’s what I’m talking about!

Dio, you just rule, period.

 

It’s loud, it’s dirty, it’s mother#$%*ing SABBATH!!!

-the Hellion

 

BLACK SABBATH – some thoughts and reflections on the past, present, and future leading up to 13.

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http://www.blacksabbath.com/

     I have been a Black Sabbath fan since the moment I heard “Planet Caravan” when I was 6 years old. Since then I have felt like I was with them from high to low. Listening to Sabbath has taken my mind to different planes of existence and back, floating away on the guitar licks of Tony Iommi, my heart beating in time to the drumming of Bill Ward, the dark and monstrous basslines of Geezer Butler, finally, the madcap lunacy of the voice of Ozzy Osbourne. From the self titled Black Sabbath to Never Say Die!, Sabbath was there for me. And then things changed.

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     1979- Ozzy and Sabbath had parted ways!!!! Say it wasn’t so!!! What was going to happen now? I so wanted to hate Heaven And Hell, but I couldn’t. I was familiar with Ronnie James Dio from his prior work but didn’t think he could replace our beloved Ozzy, but it worked. Then Bill Ward was gone as well and Vinny Appice was in. This marked the start of many lineup changes to come. The Mob Rules was released and was a truly amazing piece of work.

     Well, as we all know, Ozzy launched a stellar solo career and Sabbath released several more records with varying lineups. There were several reunions but no full blown release with the classic lineup until now (well sort of).

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     Enter 13 – The long standing rumors were true,  Black Sabbath: Ozzy, Tony, Geezer, and Bill were going to record a new record!!! Then, amidst great controversy, Bill Ward was no longer part of the project. Brad Wilk from Rage Against The Machine/Audioslave was to fill in behind the kit. I will withhold my personal feelings on the matter. I heard that one of my favorite producers of all time, Rick Rubin, was working with Sabbath on this. It is my opinion that pretty much anything Rick works on is amazing (note that I said pretty much and not everything).  I am hopeful that 13 will return us to the storytelling, journeys of Sabbath past…. we can dream….

it’s loud, it’s dirty, it’s ROCK N’ ROLL

the Hellion

HAPPY BIRTHDAY OZZY! 12/3/12

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On this day in 1948 the Rock Gods blessed the earth with John Michael Osbourne. They tested him thoroughly with things that would have surely killed a mere mortal. Yet he withstood all that was thrown at him. Yet, all of these trials had transformed him, remade him, and thus OZZY  arose from the man that was John Michael Osbourne. OZZY gathered the musical forces to him and gave to the ears of the world BLACK SABBATH. The power of OZZY quickly grew and he needed to empower other musicians and he left BLACK SABBATH in order to gather young musicians and take them under his “wing”.

Thank you OZZY! Thank you very much!!!

We truly hope you never stop!

the Hellion

TOP 5 ROCK BASS PERFORMANCES – IT’S ALL ABOUT THE BOTTOM END!

 

I was talking to a friend today and he asked me what I thought were the five best bass performances in Rock N’ Roll. Hmmm… hard  question but I’ll give my opinion on it and see what happens. I love the bass and the weight that it gives to Rock music. So let’s check it out. Keep in mind these are in no particular order they are just the five that stand above the others.

1. Cliff Burton (METALLICA) “FOR WHOM THE BELL TOLLS”  (LIVE) [CLIFF ‘EM  ALL]

The aggressiveness of Cliff’s playing style in the intro to this song amazes me to this day. I will always remain in awe of him and wonder what more he would have given to us. Enjoy and remember:

2. JOHN ENTWISTLE (THE WHO) “BABA O’RILEY” (LIVE) 1978

The way John carries the song’s intro is magnificent. John’s solid performance style and coolness when he was laying down massive bass lines will forever influence bass players for years to come. Look at his hands, watch and listen:

3. GEEZER BUTLER (BLACK SABBATH) BASSICALLY/N.I.B.

What can I say, utter brilliance here. The riff is as iconic as any guitar riff. Geezer carries this song with majesty, a lot of bass players learn this bass line and try to honor it. I have seen Geezer play it live and it is just as magnificent as it is on record. Listen and get lost:

4. BILLY COX (JIMI HENDRIX) “DOLLY DAGGER” 

Just listen to the bass line and you’ll hear why it is included. Billy was an amazing player period. If you’ve never heard of him look up his stuff and prepare to get blown away.:

5. STEVE HARRIS (IRON MAIDEN) “PHANTOM OF THE OPERA”  (LIVE) 1980

Steve Harris and his monster bass runs make him one the most inspiring bassists in rock history. (Besides if I didn’t include Steve Eddie’s Mates would lynch me). I have always been inspired by Steve’s playing style. This is for you Eddie’s Mates:

By no means is this a complete list. There are so many more to list. These five however, jumped into my mind immediately. Please give me YOUR input!

the Hellion

Dream band lineups

 

One of the questions I see the most is “What would your dream band lineup alive or dead be?” I have pondered this question many times and I come up with different answers each time. So I decided to  write about it and come up with three bands. One with band members who are no longer with us, one with all living band members, and comprised with both. I will try to give reasons why and even try to give my fantasy bands an appropriate name.

From the other side,

SOPHISTICATED HOOLIGANS:

Bon Scott, AC/DC (deceased 19 February 1980) – vocals

Dimebag Darrell, Pantera/Damageplan/Rebel Meets Rebel  (deceased December 8, 2004) – guitars

Randy Castillo, Lita Ford/Ozzy/Motley Crue  (deceased  March 26, 2002) – drums

John Entwistle, The Who (deceased  27 June 2002) – bass

I can only imagine what a jam session with these guys would sound like. I hope that they are hanging out on the other side. I think the combination of these “gentlemen” would make for a unique sound. I chose the name “Sophisticated Hooligans” for them because the oxymoron just suits the attitude I imagine they would have.

Still with us,

COSMIC DESTRUCTION:

Sebastian Bach, Skid Row/Solo – vocals

Zakk Wylde, Ozzy/Pride & Glory/Black Label Society – guitars

Justin Manning, Crowned By Fire – guitars

Geezer Butler, Black Sabbath – bass

Mike Portnoy, Dream Theater/Adrenaline Mob/Flying colors – drums

I shudder to think of the destructive power this band would have, hence the name “Cosmic Destruction”. There would have to be a warning label on the CDs and at the live performances. All of these players have that explosive power that would give this band the ability to crush your chest and have you thank them for it.

 

Some still with us and some not

RETROGRADE:

Paul Rodgers, Free/Bad Company – vocals

Randy Rhoads, Quiet Riot/Ozzy (deceased  March 19, 1982) – guitars

Flea, Red Hot Chili Peppers – bass

John Bonham. Led Zeppelin (deceased  25 September 1980) – drums

The mixture of Paul Rodgers beautiful voice combined with Randy Rhoads melodic playing style would compliment each other so well. Combine that with Flea holding down the bottom end and John Bonham keeping the beat and WOW! I know this lineup seems kind of weird but I think it could work. As for calling the band “Retrograde”, I think it just sounds cool.

 

There you have it those are just my thoughts, please share yours!!!

the Hellion