Had the chance to chat with Justin Manning about some stuff…so check it out:
Had the chance to chat with Justin Manning about some stuff…so check it out:
Summer of 1977…
I had just met the neighbor kid in the apartment complex we had just moved into. He invited me over to hang out and listen to music one afternoon. He asked me if I liked Black Sabbath and I told him that “Iron Man” was a cool song but that was about all I knew. He then proceeded to play Master of Reality. The music was like an adrenaline shot to my senses. I was hooked immediately and had to have more and find out all I could about Black Sabbath.
Over time I managed to collect their music and it became a part of my regular listening schedule. I couldn’t explain it but the music reached me on many levels. And then, as quickly as I had found them, there was news of a band split.
Back then (before up to the minute news from the internet) rumors began circulating of Ozzy leaving the band. This unfortunately became truth.
It came to pass that Black Sabbath had hired Ronnie James Dio to sing and Ozzy launched a solo career. I was a long time Rainbow fan and was curious to see what Dio would bring. I was positive that Ozzy would have some cool stuff as well.
Let’s talk Black Sabbath first. With the addition of Dio they brought us Heaven and Hell. I like this record but it brought about a sense of change to the Black Sabbath style. I always felt that this record took them in a more pop rock oriented style. It wasn’t bad but it just wasn’t MY Black Sabbath that I’d grown to love. It proved to be the same with the Mob Rules. They had just failed to reach as had been done with their previous work. I like both records and still listen to them today but not nearly as much as the earlier work. And then Dio was gone.
To be honest I left them at that point not even bothering to listen or seek out their music. Black Sabbath was lost to me at that time.
Ozzy went on to great success as a solo artist. He surrounded himself with stellar musicians and made some good records. Like Dio era Sabbath it was different. Ozzy tried to cultivate the Prince Of Darkness image but it failed to reach me. The music while great again, in my opinion, leaned a little more towards the pop rock side.
I know, I know, I can just see some of you rolling your eyes at this. Change is ok and sometimes can be good. It was good for Ozzy’s career and not so much with Black Sabbath. Sabbath eventually reunited with Dio for Dehumanizer before parting ways again.
Eventually Ozzy and Sabbath got over the past and reunited for 13 (without Bill Ward), but, for me, the magic just wasn’t there anymore.
Over time we lost Dio to cancer, Ozzy’s solo career kind of came to a slow down, and Sabbath again had some infighting leading to a permanent split with Bill Ward. But, as I have said in other conversations, that is band business of which we as fans have no part.
All in all, it’s been a good ride with Sabbath and Ozzy. I will always have and cherish the early music they made. Black Sabbath, Paranoid, Master of Reality, Vol. 4, Sabbath Bloody Sabbath, Sabotage, Technical Ecstasy, and Never Say Die! will ALWAYS be the definitive Sabbath albums for me. I will still continue to support anything Sabbath or Ozzy does because that’s what we as music fans do. I don’t have to love it but without that support it will go away. The bands that were influenced by Black Sabbath are countless.
Thank you Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward for the hours upon hours of enjoyment you have given to me over the years. You four will forever be Black Sabbath in my heart and mind. To all of the others who have had a hand in the Sabbath legacy: Geoff Nicholls, Craig Gruber, Vinny Appice, Ian Gillen, Bev Bevan, Ron Keel, David Donato, Eric Singer, Dave Spitz, Glenn Hughes, Ray Gillen, Bob Daisley, Tony Martin, Cozy Powell, Laurence Cottle, Neil Murray, Bobby Rondinelli, Mike Bordin, Adam Wakeman, Tommy Clufetos, Rick Wakeman, Gerald Woodroffe, Don Airey, Brad Wilk thank you for being a part of such legends. Zakk Wylde, ZAKK SABBATH?!?!?! That’s what I’m talking about!
Dio, you just rule, period.
It’s loud, it’s dirty, it’s mother#$%*ing SABBATH!!!
Remember those great concept albums like The Wall, Tommy, 2112, Operation Mindcrime…you get my drift. Well Dunsmuir has a brought a new one into the mix with their upcoming release Dunsmuir.
In case you’ve been leading a sheltered life in a bomb shelter, here’s the lowdown on Dunsmuir: Neil Fallon (Clutch) on vocals, Vinny Appice (Black Sabbath, Heaven And Hell) on drums, Brad Davis (Fu Manchu) on bass, and Dave Bone (The Company Band)on guitar, have put their various talents together to form Dunsmuir, and the result is FANTASTIC to say the least.
Dunsmuir tells the tale of the various fates met by the survivors of a 19th century ship wreck. What had been intended as a voyage of scientific discovery, quickly devolves into a struggle to survive the natural world, and the supernatural. This tale is successfully told by the mood and tempo of the 10 tracks on this album:
1. Hung On the Rocks
2. Our Only Master
3. The Bats (Are Hungry Tonight)
4. What Manner of Bliss
6. …and Madness
7. Orb of Empire
8. Church of the Tooth
9. The Gate
10. Crawling Chaos
The album has a straightforward no bullshit Rock N’ Roll feel to it. Great mix of vocals, guitar, bass, and drums with one not overshadowing the other. The mix is stellar and you don’t lose anything when you crank it to outrageous volume. The flow is great as the story is told. The lyrics do a great job of placing you within the story of the brave adventurers of the tale and it translates well. This is an album that is worthy of a road trip with the volume and the windows down AND an evening at home with your favorite beverage and a great pair of headphones. While meant to be taken as a whole, there are a few tracks that call out to me: “Hung On the Rocks” with its catchy licks and chorus reaches out and tickles my ears. “Crawling Chaos” embodies chaos in your ears and yet somehow makes sense. “Church of the Tooth” carries with it an ominous doomy sound which I thoroughly enjoy.
Dunsmuir delivers some solid Rock N’ Roll in a time when others have given Rock its death sentence. This album gives the middle finger to the naysayers and does its part in proving them wrong.
Their self titled full length album is set to be released July 22nd via Hall Of Records with presale to begin on July 8th. The album will be released digitally via iTunes only and the LP will only have a pressing of 1,000 copies with a signed lithograph poster of the album cover and available only at: http://www.indiemerch.com/Dunsmuir
You DON’T WANT TO MISS THIS ONE!!!
it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!
Wait, what? You’ve never heard of Babyjane? Don’t worry, you soon will. Imagine if you will a band steeped in Guns N’ Roses, Motley Crue, AC/DC, Rose Tattoo, Skid Row, Sex Pistols, Van Halen, Alice Cooper, Black Sabbath, The Cult, Faith No More, Megadeth, Pantera, KISS, Aerosmith and you will begin to understand the music of Babyjane.
Australia has given the world some great bands and now we can include Babyjane into that fold. I was excited to learn that Babyjane was doing a little bit of work with one of my favorite artists and one hell of a nice guy, Gilby Clarke. Paul Judge – Bass / Vocals recently related the story of how they came to work with Gilby:
” the song basically came to be through testing the waters to see who was out there in the States that would just record one song with us, so we could get a feel of who we wanted to do the next album with. we recorded twice with Michael Wagener so we’ve been there and done that – we didn’t want things to start getting stale by recording with him over and over again. plus, he’s all the way over in Nashville. we love it there, but it’s so far away – we wanted to spend more time on the coast. it’s a better environment for recording, at least for us.
asking Gilby to record us was a punt we took that we never thought he’d say yes to, but he jumped at the chance when he heard our demos. we sent him demo’s for 4 songs we’d been working on – You Know That Bitch Better Than Me, 23 Sins, No Enemies and Do Ya Know Who I Am. he chose Do Ya as the song – we ended up trimming the title because it sounded catchier.
recording with him was great because he was in our favourite band from our teenage years. we had to rush it – we only had a day in LA before catching 2 flights to Oklahoma to play Rocklahoma. he was supportive and really guided us into a groove when laying the song down. other producers haven’t been quite so nice in the past. being positive and patient with musicians goes a long way. but, while recording with him, Keith Olsen reared his head up again – and we were scheduled to record with him two years ago, but the funding fell through. he made us an offer which was too good to refuse this time, and since he was always our original choice, we left the Gilby things as a fun one-off experiment and went back to our original plan, which was to have Keith record the next album. we met up with him in hollywood, he bought us dinner, then came down to watch us play at the whiskey.
when we got offstage he said “absolutely fantastic – I HAVE to record you guys now… we’re gonna make this happen.” so, all we need to do now is line up WHEN we’re gonna record with him in 2016.
as for recording with Gilby, he’s so busy with Slash and Duff and all the rest of them in Kings of Chaos that we wouldn’t have had time to do any more songs with him than the one we did. but when you hear it, you’ll see it was worth it. it’s a song about not really having any relationship with yourself at times. feeling alienated from yourself, having no idea who the fuck you are. it’s the first track we’ve recorded to feature our more recent guitar player, Sav Hatzi.
we’ve been very lucky in the 7 years we’ve been a band – we haven’t taken over the world but we’ve worked with amazing people in the industry. all without having to get loads of commercial airplay too. we’ve had an idol of ours, John Corabi, sing the opening song on our second album, we’ve had Michael Wagener mix and record us from top to bottom, we’ve opened for Sebastian Bach and Paul DiAnno, we’ve been given attention on blabbermouth.net six times, we’ve been invited to play Rocklahoma, no one can ever tell us we haven’t reached some milestones. if it all ended tomorrow we’d be over the moon with what we’ve done. most importantly, we’ve made some amazing music.
but the next album is really gonna blow heads off. Whitesnake 1987 is a milestone in rock, and Ozzy’s No rest For the Wicked was one of my favourite albums growing up – Keith’s done them both, as well as Jesse’s Girl, Winds of Change by the Scorpions… he’s got an ear and sensibility for great melodies. that’s just what Babyjane need. so we’ve had the big, snappy sound of Michael Wagener leading the way on a Babyjane album, we’ve had a racy, get-it-all-done-in-one-day thrash of working with Gilby – which was great for the feel of the song – and next we’re going to have a big, planned, soundscape of rock n roll love that only Keith can accomplish at the mixing desk. in fact, when I hear him talk about the Neve console on the Sound City documentary he did, I get excited at what he’s going to bring to the album.” -Paul Judge
Andy Smith (vocals and guitar); Sav Hatzi (lead guitar); Paul Judge (bass and vocals) and Nik ‘Animal’ Kats (drums)
Babyjane, not content with just hanging around Australia, has kicked in the door to the outside world and wedged it open. With their impending new release and the people involved they will have no problem knocking it off its hinges.
it’s loud, it’s dirty, it’s Babyjane
So, people are calling me out on my Facebook statement from earlier today. After hearing about the Metallica/Budweiser beer thing. I posted: “Drink some beer with our name on it so you don’t care if our next record is terrible…” I then commented on my own post: “What’s next Megabeer, Five Finger Hard Punch?”
It was all in fun people, but I get it. I’m close enough to people in the industry to understand the struggle. Being a musician in today’s world is harder than ever. That is why many of them have chosen to diversify their interests. That is why we have seen so many hot sauces, coffees, restaurants, clothing lines, guitars and gear, etc., etc. from artists these days. The problem that can arise from this, in my opinion, is that I feel the music gets lost in all of the hustle and bustle.
So, in conclusion, pay more attention to the music instead of the “stuff”! Now go buy some music and band merch, and hit up a show or two!!!
it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!
With all of the news of racial/social/political unrest as of late it has caused me to reflect on things, and I have come to the conclusion it is all because of you.
You have the choice to not hit your child or your spouse. Sure you might have grown up in a home where domestic violence was the norm (I myself witnessed my mother beaten by my stepfather and I was at the end of a few myself), and yet I choose to respect my wife and children. I choose to not follow that path.
You have the choice not to sexually abuse others. Again, I knew people who were abused by people they trusted and yet they grew up and made choices to help others that were being abused.
You have the choice to not abuse alcohol. Again I have firsthand experience with alcoholism in the home. This is a devastating problem int he country today. I have again made the choice to stay away from that lifestyle.
You have the choice to not abuse drugs. Once more, I have experienced this in my home as a child. This is another choice I am proud to have made in staying away.
You have the choice to obey the law and not run from the police. I am saddened to see all of the death and destruction in the news today regarding this issue. Think of how many would still be alive if they had just obeyed the law and the police. I say again, you have the ability to choose the right thing.
There is only one race, the human race. We are all brethren and should not be afraid to embrace each other publicly and claim our love for one another. We could achieve miracles then.
Choose wisely my friends
I used to enjoy listening to the radio. Now it’s just a jukebox with the selector buttons broken so we hear the same songs over and over. While I enjoy all forms of music, I predominantly listen to Rock N’ Roll. Recently one of my favorite long time radio stations, KZRR 94 Rock, was assimilated by the collective known as iHeartRadio. This assimilation has brought with it inane commercials for iHeartRadio advertising artists and events that have NOTHING TO DO WITH THE GENRE OF ROCK N’ ROLL!!! I also tried out their streaming of 94 Rock while I was out of state for three months. With their streaming they have something called “Fast Tracks” which turn out to be an abbreviated version of a song…wait, WHAT? PLAY THE WHOLE SONG!!!! Here’s another idea for iHeartRadio, how about playing some of the new artists trying to break through? I mean as much as I love the artists that do get play, there are many others out there.
I get the feeling that iHeartRadio is actually trying to kill off live radio and music as well. Just the other day another station that I listened to, 104.1 The Edge, dismissed its long running morning show personalities. This dismissal has led to an out-crying of support for said personalities. The reason was given as “restructuring” of the radio station…sigh.
I think we need REAL radio stations back with REAL DJ’s who played the music that they loved and had some control over it. I mean think about how many bands you were turned on to by a DJ.
I say now go home iHeartRadio you are not welcome anymore.
New Album Vendetta Kind of Mood Out May 19th!
FTW – It’s an acronym that can be seen all across our great nation; it sits proudly next to 1% patches on filthy, greasy leather jackets and flies arrogantly on the backs of Harley Davidson motorcycles.
What does it mean? Fuck The World: A credo shared by bikers, punks and freak flag flyers worldwide.
With the band’s latest LP Vendetta Kind Of Mood, The FTW are currently crushing skulls in clubs all around New York City and the world is next. The FTW keeps the torch burning, and burning brightly, for straight ahead high-octane metal and balls-to-the-wall rock and roll. Today the first single from the album “Who Crowned You King” is being premiered exclusively on Metal Insider. Listen to it HERE and be sure to pre-order a copy of the record HERE.
The FTW is also the name of Michael Dolan’s new band. Dolan earned his own stripes touring the world with the surf punk outfit, The Turbo A.C.’s. But now he has his sights set on heavier horizons. He has joined forces with underground guitar legend, The Major Nelson, and percussion powerhouse J.J. Meraz.
The FTW play a brand of heavy NWOBHM rock and roll citing influences such as Black Sabbath, Thin Lizzy and Motorhead. The Major’s thrashing, bluesy crank riffs meld brutally with Dolan’s Disciples of Lemmy Rickenbacker Bass and his Marshall stack cranked up to ‘Eleven!’
Vendetta Kind of Mood Track Listing:
1. Please Allow Me To Introduce Myself
2. Who Crowned You King
5. Billy Bats
6. Axe to Grind
7. Bleed Out
9. Pull Your Patch
10. Pound of Flesh
For More Info Visit:
it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!
September 27 1980- My friend Brett came over to my apartment to hang out with me on my 16th birthday. He smiled as he handed me a wrapped package. I eagerly tore the wrapping off to discover the Blizzard Of Ozz record. “I knew you loved Sabbath so I saw this and figured you would enjoy it.” We raced to my room and found ourselves entranced by the music. I was most impressed by the guitar playing album on this record. The passion and power of the guitar playing on it was enough to make me weep. Brett and I instantly became Randy Rhoads fanatics. A lot of our friends were Eddie Van Halen nuts through and through, but there was something a bit more magical about Randy Rhoads for me. We read everything we could find and tried our best to wear out my copy of Blizzard Of Ozz.
When Diary Of A Madman came out in late 1981 I was there at the record store and raced home to hear what Randy had come up with to blow our minds, I was not disappointed in the least. This record too found itself being quickly worn out on my turntable. Again, I read every bit of press, had the posters, t-shirts, and all of the necessary accessories. Brett and I even figured out the secret codes on the album. Then, miracle of miracles, Ozzy was coming to our town!!! I did odd jobs to earn my $8.50 for my ticket. We went and positioned ourselves in front of Randy and witnessed a show that has yet to be repeated. The way Randy commanded the stage was sheer magic, and the way he played the songs live was utter brilliance. We left the show elated and sold that Randy was the greatest guitar player ever. Then, three months later he was gone, and I openly wept.
Now in March of 2015 I find myself watching a DVD about people who were influenced by Randy and his music. Kelle Rhoads let us into the world that he and his brother developed their musical skills in by walking us through the legendary Musonia Music School. Kelle told us of how his mother, Delores, influenced Randy to audition for Ozzy. He also shared some moments of the younger Randy and himself performing is the school. I really felt the emotional bond and the sense of loss Kelle has for Randy when he showed the room where Randy taught guitar. It was stated that the room has been restored to the way it was when Randy packed up and left for his gig with Ozzy. It is truly a room frozen in time.
The legendary Bob Kulick hosts Bob’s interaction with Kelle was enlightening and I learned new things about Randy. Bob spoke with drummer Frankie Banali and I learned things about the formation of the Ozzy solo band that I never knew. Dana Strum? Frankie’s involvement? You have to watch it and see. Hearing the stage stories from my friend Rudy Sarzo was amazing as well. Bob talks on with George Lynch, Doug Aldrich, Dweezil Zappa, Joel Hoekstra, George Lynch. Bruce Kulick, and Jon Donias. They all tell how Randy affected them musically.
This DVD has led me to appreciate Randy “the person” more than I previously had. It is quite obvious how much his peers loved and respected him. I am glad that the time was taken to produce this in tribute to the great Randy Rhoads who continues to live on inside me and others who listen and truly appreciate his musical legacy. Please be sure to pick this up and allocate an hour and a half to learn about and share the life of this great musician and human being, you will NOT be disappointed. Randy truly is immortal.
it’s loud, it’s beautiful, it’s Randy Rhoads