Wait, what? You’ve never heard of Babyjane? Don’t worry, you soon will. Imagine if you will a band steeped in Guns N’ Roses, Motley Crue, AC/DC, Rose Tattoo, Skid Row, Sex Pistols, Van Halen, Alice Cooper, Black Sabbath, The Cult, Faith No More, Megadeth, Pantera, KISS, Aerosmith and you will begin to understand the music of Babyjane.

Australia has given the world some great bands and now we can include Babyjane into that fold. I was excited to learn that Babyjane was doing a little bit of work with one of my favorite artists and one hell of a nice guy, Gilby Clarke. Paul Judge – Bass / Vocals recently related the story of how they came to work with Gilby:

” the song basically came to be through testing the waters to see who was out there in the States that would just record one song with us, so we could get a feel of who we wanted to do the next album with. we recorded twice with Michael Wagener so we’ve been there and done that – we didn’t want things to start getting stale by recording with him over and over again. plus, he’s all the way over in Nashville. we love it there, but it’s so far away – we wanted to spend more time on the coast. it’s a better environment for recording, at least for us.

asking Gilby to record us was a punt we took that we never thought he’d say yes to, but he jumped at the chance when he heard our demos. we sent him demo’s for 4 songs we’d been working on – You Know That Bitch Better Than Me, 23 Sins, No Enemies and Do Ya Know Who I Am. he chose Do Ya as the song – we ended up trimming the title because it sounded catchier.

recording with him was great because he was in our favourite band from our teenage years. we had to rush it – we only had a day in LA before catching 2 flights to Oklahoma to play Rocklahoma. he was supportive and really guided us into a groove when laying the song down. other producers haven’t been quite so nice in the past. being positive and patient with musicians goes a long way. but, while recording with him, Keith Olsen reared his head up again – and we were scheduled to record with him two years ago, but the funding fell through. he made us an offer which was too good to refuse this time, and since he was always our original choice, we left the Gilby things as a fun one-off experiment and went back to our original plan, which was to have Keith record the next album. we met up with him in hollywood, he bought us dinner, then came down to watch us play at the whiskey.

when we got offstage he said “absolutely fantastic – I HAVE to record you guys now… we’re gonna make this happen.” so, all we need to do now is line up WHEN we’re gonna record with him in 2016.

as for recording with Gilby, he’s so busy with Slash and Duff and all the rest of them in Kings of Chaos that we wouldn’t have had time to do any more songs with him than the one we did. but when you hear it, you’ll see it was worth it. it’s a song about not really having any relationship with yourself at times. feeling alienated from yourself, having no idea who the fuck you are. it’s the first track we’ve recorded to feature our more recent guitar player, Sav Hatzi.

we’ve been very lucky in the 7 years we’ve been a band – we haven’t taken over the world but we’ve worked with amazing people in the industry. all without having to get loads of commercial airplay too. we’ve had an idol of ours, John Corabi, sing the opening song on our second album, we’ve had Michael Wagener mix and record us from top to bottom, we’ve opened for Sebastian Bach and Paul DiAnno, we’ve been given attention on six times, we’ve been invited to play Rocklahoma, no one can ever tell us we haven’t reached some milestones. if it all ended tomorrow we’d be over the moon with what we’ve done. most importantly, we’ve made some amazing music.

but the next album is really gonna blow heads off. Whitesnake 1987 is a milestone in rock, and Ozzy’s No rest For the Wicked was one of my favourite albums growing up – Keith’s done them both, as well as Jesse’s Girl, Winds of Change by the Scorpions… he’s got an ear and sensibility  for great melodies. that’s just what Babyjane need. so we’ve had the big, snappy sound of Michael Wagener leading the way on a Babyjane album, we’ve had a racy, get-it-all-done-in-one-day thrash of working with Gilby – which was great for the feel of the song – and next we’re going to have a big, planned, soundscape of rock n roll love that only Keith can accomplish at the mixing desk. in fact, when I hear him talk about the Neve console on the Sound City documentary he did, I get excited at what he’s going to bring to the album.” -Paul Judge


     Andy Smith (vocals and guitar); Sav Hatzi (lead guitar); Paul Judge (bass and vocals) and Nik ‘Animal’ Kats (drums)

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     Babyjane, not content with just hanging around Australia, has kicked in the door to the outside world and wedged it open. With their impending new release and the people involved they will have no problem knocking it off its hinges.

     it’s loud, it’s dirty, it’s Babyjane

     -the Hellion


Rock and Roll Hall of Fame – the shame continues


I find myself beating a dead horse again with the announcement of the 2016 Rock and Roll Hall of Fame inductees.

The elite few are at it again by nominating too many artists that ARE NOT IN THE ROCK N’ ROLL GENRE!!! I think it was said best by the Sex Pistols when they refuse to attend their 2006 induction and sent the following letter:


Transcript: “Next to the SEX-PISTOLS rock and roll and that hall of fame is a piss stain. Your museum. Urine in wine. Were not coming. Were not your monkey and so what? Fame at $25,000 if we paid for a table, or $15000 to squeak up in the gallery, goes to a non-profit organisation selling us a load of old famous. Congradulations. If you voted for us, hope you noted your reasons. Your anonymous as judges, but your still music industry people. Were not coming. Your not paying attention. Outside the shit-stem is a real SEX PISTOL”

So what should happen? How should we recognize those worthy? Here are my thoughts: You wouldn’t see Slayer inducted into the Country Music Hall of Fame (if indeed there is one) or the R&B/Soul/Funk/Rap Hall of Fame (if indeed there is one of those as well) and I wouldn’t expect to either.  You wouldn’t see Whiz Khalifa inducted into the Country Music Hall of Fame either. So why would we see Country Music artists or R&B/Soul/Funk/Rap artists inducted into the Rock and Roll Hall of Fame?  We don’t have cross-genre radio stations so why would we have a cross-genre Hall of Fame called the Rock and Roll Hall of Fame?

I am of the opinion that we could rename it as the Music Hall of Fame and let it become a free for all or stick to the music for what it was named for and just induct artists in the Rock And Roll genre. Now there is nothing wrong with other genres of music let’s just call it as it is.

As for the elite few that are in charge of nominations…well I think we should let the people speak. There should be criteria that bands must meet for nomination for sure but I believe the listeners should have the final word. Every year the bands that meet said criteria should be listed and a site opened where the fans have a certain amount of time to vote, and the top 16 should be the ones inducted, and the process cycles annually.

These are just my thoughts and musings. I’ll shut up now and go listen to the new Stryper record.

it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!

-the Hellion

New York Dolls celebrate 40th anniversary of their debut record



     The New York Dolls are a far too overlooked band. The Dolls influenced many bands that we all know and love: Sex Pistols, Kiss, the Ramones, Guns N’ Roses, the Damned, the Smiths, it goes on and on. They began a movement which gave us the “spectacle” of rock. It was ok to glam it up and go to a show. It was ok to be over the top. The Dolls made us feel good about who we were. Today 07/27/13 marks the 40th anniversary of their debut studio album “New York Dolls” on Mercury Records. Produced by the legendary Todd Rundgren it is a record that I find still relevant to this day.

Thank you David Johansen, Arthur “Killer” Kane, Jerry Nolan, Sylvain Sylvain, and Johnny Thunders for making this wonderful record. Do yourself a favor and give it listen and see why the bands we love were influenced by them.

     it’s loud, it’s dirty, it’s ROCK N’ ROLL!

    the Hellion