Wait, they made a new record?

rant

A recent conversation I overheard: “I’m going to see Def Leppard this weekend, are you?” “No I don’t like him.” I interjected “You know, Def Leppard has a new record coming out.”  To which the response was “I only like that one song, you know, the “Sugar” song.”

After banging my head repeatedly into the wall I began to think about veteran bands and their new music.

I can recall going to several recent shows where the bands were touring on new music and yet the fans were only interested in hearing the “hits” from the past. It is this that bothers me. Why make a new album then if no one cares to hear the new stuff? I get why there are so many frustrated musicians in the world these days.

I, for one, love to hear the new music, I actually prefer it. I blame this on corporate radio (yet again, the bane of my existence). Oh yes they will play the “new” track from the more popular artists for a bit but then often times it fades away to be replaced with the classic “hit” songs.

What does this really do to the artists? I feel that it makes some of them only go through the motions when writing a new record. They put it out only because they have to contractually. It’s the “nobody cares to listen to our new music, so why bother” syndrome. I am not saying it’s always like that but I get that vibe from some.

So what is the fix? I don’t really think there is a general fix for the problem. It is up to us stalwart music lovers who go out and buy the new releases from veteran artists to turn others on to said new music. I have said in the past that Rock N’ Roll was spread by word of mouth in its beginning and it has come full circle to that today.

I am tired of seeing people at Iron Maiden, KISS, Def Leppard, Motley Crue, etc., etc., shows looking bored and distracted when they play new material. I get it, you love “that one song”, but why not give the new stuff a chance, and you might just find another song or two to love.

 

It’s loud, it’s dirty, it’s ROCK N’ ROLL!!!

-the Hellion

Catching up with Jerry Gaskill from King’s X

     You know it’s a good day when Jerry Gaskill calls you up to talk about his upcoming solo record. Enjoy our conversation right here:

     Be sure and pick up Love And Scars from Jerry Gaskill on October 30th  preorder here:

http://www.ratpakrecordsamerica.com/jerrygaskill

     it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!

     -the Hellion

a band I still listen to: Woods Of Ypres

"Woods of Ypres 2009" by Mark Coatsworth

                                               “Woods of Ypres 2009” by Mark Coatsworth

Woods of Ypres is a band that I still miss today. About ten years ago their CD: Pursuit of the Sun & Allure of the Earth ended up in my hands. I did a little digging and found that they were out of Canada. While I generally hesitate to label bands, this one was doom laden and fantastic. I kept up with Woods of Ypres through their subsequent releases, Woods III: The Deepest Roots and Darkest Blues, Woods IV: The Green Album. And then David Gold, the front man and only constant member, was gone, killed in a car crash in 2011. Woods 5: Grey Skies & Electric Light, my favorite of their body of work, was released posthumously in 2012.

Woods of Ypres is another one of those bands that have been done a disservice by the music industry, they were ignored. Like far too many other other great young bands out there they lack the support from radio these days.

Woods of Ypres takes me on a journey to the dark places of my mind and yet lets me see them in a different light. I always come away cleansed and refreshed after listening to some Woods of Ypres.

While they are gone, they are not forgotten by any means. If you are looking for something different to listen to, check out Woods of Ypres. In fact, I’m gonna provide you with the link to “Lightning & Snow” my favorite track off of their last and final album, enjoy:

     it’s loud, it’s dirty, it’s WOODS OF YPRES

     -the Hellion

Ok, ok, I get it!!!

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So, people are calling me out on my Facebook statement from earlier today. After hearing about the Metallica/Budweiser beer thing. I posted: “Drink some beer with our name on it so you don’t care if our next record is terrible…” I then commented on my own post: “What’s next Megabeer, Five Finger Hard Punch?”

It was all in fun people, but I get it. I’m close enough to people in the industry to understand the struggle. Being a musician in today’s world is harder than ever. That is why many of them have chosen to diversify their interests. That is why we have seen so many hot sauces, coffees, restaurants, clothing lines, guitars and gear, etc., etc. from artists these days. The problem that can arise from this, in my opinion, is that I feel the music gets lost in all of the hustle and bustle.

So, in conclusion, pay more attention to the music instead of the “stuff”! Now go buy some music and band merch, and hit up a show or two!!!

it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!

-the Hellion

WHAT THE F@#K PEOPLE!!!

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As I sit here and see/hear/read all of the news about racial tensions, the assassination of police officers, and other horrors going on I thought I would talk a little about my feelings to you my loyal readers.

I am going to share some things with you about my life and thoughts. First off, my mother’s father was a Cherokee and a tribal leader, I knew nothing of this life as he passed long before my birth and I only had word of mouth to go by.  I spent the first 9 years of my life with a man whom I thought was my father. This man was abusive as all get out to me and my mom. He was severely racist as well. We lived in neighborhood that was all white and to everyone’s horror a black family moved in. I made quick friends with their son and I was well treated by their family, not so by my stepfather. I could have given a shit about his color. My mom divorced him shortly before I turned 10.

My mom’s next husband came from a family of Mexican descent and I was suddenly thrust into that culture. I embraced it and was accepted into their family with open arms.  I often heard the terms “Spic”, “Beaner”, and other derogatory terms and they hurt me deeply.

As an adult I found out about my birth father and his heritage. They come from Nordic roots and settled in Normandy and then Canada and later America. When I found his family I learned that I had cousins that were a mixture  black and white. This phased me not one bit.

Growing up around racial and cultural diversity taught me tolerance instead of bias. I am of the firm belief that one owns one own actions, period. I could have very easily taken the PTSD crutch and been an abuser myself, or a racist, or a myriad of other horrible things I’ve been exposed to in my life. I, however, chose to do what I felt was right in my heart. I love my wife, children, grandchild, friends,  and family and would do anything for them.

There is stupidity in every race and THAT stupidity belongs to each individual who makes bad decisions.

I thought we were done with racial inequality and it was put to bed. How can we have a black lives matter without a white/yellow/red/brown lives matter? How come there is a NAACP and not a NAACP (insert Caucasian in the place of the C)? Why don’t we just have a NAAP? To quote Depeche Mode, “People are people, so why should it be, you and I should get along so awfully?”

As for the police, like in every job in the world there is corruption and people there for the wrong reasons. For the most part however, the police are there to protect and serve. Police Service is a thankless job for most of the officers, and now we have people assassinating them willy nilly.

I am going to say this right here, right now: IF YOU DON’T WANT TO BE KILLED BY THE POLICE DON’T BE OUT DOING SHIT YOU SHOULDN’T BE DOING!!!!

I am heavily tattooed and have that “Biker” look and have NEVER HAD A PROBLEM WITH THE POLICE!!! BECAUSE WHENEVER I HAVE AN INTERACTION WITH THE POLICE I TREAT THEM WITH RESPECT AND COMPLIANCE! An altercation in the field with police can cause nothing but trouble and heartache. Burning, looting, and destruction are not the answer people. Mature conversation and communications can accomplish far more.

Dr. Martin Luther King Jr. was one of the greatest men to advance racial equality and I have always admired him for it. But I feel his work is being unraveled by the actions of people today.

I don’t know about any of you but I bleed red and my outside is just a fancy wrapper. We are all just people and as such we should be caring for each other and brothers and sisters of the HUMAN RACE.

 

People are people…

-the Hellion

 

Tasty licks – Queen “Get Down Make Love”

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So I broke out News Of The World today and was captured by the licks in “Get Down Make Love”. This song came out in 1977 and the guitar in it translates directly to 2015. As a whole the track kills all around. Heavy drums, brutal bass, nicely done keys, and of course, Freddie’s magical voice. Brian May handles the guitars like the wizard we know him to be. There is a part in the middle where it gets kind of spacey sounding but Brian does it all with his  Red Special and an Electroharmonix Frequency Analyzer pedal, which he would often do live. The studio cut featured an Eventide Harmoniser. Do yourself a favor and put the good headphones on and give this track a revisit, or a first visit and expand your mind. Brian May’s tone and licks get me every time I listen to this track.

Check it out right here:

     it’s loud, it’s dirty, it’s QUEEN!!!

-the Hellion

Guns N’ Roses, my thoughts as of today.

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As I sit here watching Guns N’ Roses Appetite For Democracy, and with the internet buzz of Axl and Slash making up, I am full thoughts and conjecture.

When Guns hit the scene they were so incendiary I predicted imminent flame out, and was correct. The original five members were an alchemic formula that gave us some iconic music though.  Magic happened when those five guys put their talents together. When it all fell apart I was disappointed but not surprised.

Axl, in my opinion became infected with delusions of grandeur which took the chemistry away from the band. I remember reading somewhere that Duff said when he looked across the stage and couldn’t see Slash past the backup singers, keyboards, orchestra and such that he knew it was over.

I, like others, mourned the loss of what could have been another Stones, or Aerosmith rocking us for many years to come.

The demise of Guns was survived well by Slash, Duff, and Izzy, and not so well for Axl and Steven.  (remember I’m only talking about the original five).

The breakup gave us Velvet Revolver, Slash’s Snakepit,  Izzy Stradlin and the Ju Ju Hounds and Adler’s Appetite all of which I still listen to. They continued to evolve and move in different ways Giving us Slash with Myles Kennedy and the Conspirators, Duff McKagen’s Loaded, The Walking Papers, and Adler.

All the while we waited out the infamous Chinese Democracy from Axl and co. We heard all of the stories of lineup changes and recording shenanigans and waited, and waited, and waited…

When Chinese Democracy finally dropped, so did my jaw. Personally I found the record unlistenable, believe me I tried and tried. There are a couple of ok tracks but that was it for me.

Axl put together to some stellar musicians like Bumblefoot, DJ Ashba, and Richard Fortman and took to the road. Well I am of the opinion that despite the talented players Axl put together, It was nothing but a GN’R cover/tribute band.

I remember having several discussions with peers and friends about the possibility of the reuniting of the original members and at the time I didn’t see it happening.

Now we find out that both Bumblefoot and DJ Ashba have left the band and like I stated earlier, Slash and Axl have reportedly made up.

We have seen Duff and Izzy make appearances with GN’R and Steven has said he would play with GN’R again.

I am now  of the opinion that an reunion is in the making but I don’t think it would last. While we could only hope that some new music and a tour with the original five would happen, I think the old demons would surface and end it all in finality.

Just some thoughts on the current GN’R stuff.

it’s loud, it’ dirty, it’s Guns N’ Fuckin’ Roses!!!

-the Hellion

 

Murder FM’s “The Gnar” lets us know what’s up

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Several years ago I was invited to see Murder FM at a local venue. I had a few minutes prior to their set and was able to talk with them and found them to be focused and driven individuals. When they took the stage they owned it and let everyone in attendance know this. I thoroughly enjoyed their set and have kept them on my radar ever since.

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The stars finally aligned and Norman”The Gnar” Matthew and I were finally able to schedule to time together and talk. We had a great conversation about a ton of things and you can listen in right here:

the gnar

     Make sure to check out  Murder FM online at:

http://www.MURDERFMmusic.com/

https://www.facebook.com/pages/Murder-FM-Official/339855065055?fref=ts

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     Murder FM’s new release assaults your ears on August 7th!!!

Murder FM:

Norman”The Gnar” Matthew – Vocals,Guitar,Programming
J6 – Bass,Backing Vocals
Matt X3r0 – Guitar,Backing Vocals
Jason “Shakes” West – Drums

     it’s loud, it’s dirty, it’s MURDER FM!!!

     -the Hellion

 

 

getting to know Matt Brandyberry of From Ashes To New

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A great conversation with Matt. Very enjoyable getting to know about him and the band From Ashes To New. Check it out right here:

     Check out From Ashes To New online at:

https://www.facebook.com/FromAshesToNew

http://www.FromAshesToNew.com/

     it’s loud, it’s dirty, it’s ROCK N’ ROLL!

     the Hellion

So you want to be a promoter?

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So you wanna be a promoter huh? Well you better put your big boy/girl pants on and get ready to work. If you think it’s a cool thing to do and you get to hang out with the band, you have another thing coming.

What exactly is a promoter? According to the internet it says: Tour promoters (also known as concert promoters or talent buyers) are the individuals or companies responsible for organizing a live concert tour or special event performance. The tour promoter makes an offer of employment to a particular artist, usually through the artist’s agent or music manager. The promoter and agent then negotiate the live performance contract.

Let’s be real, most bands these days deal with local “in town” promoters. This means a lot of work for the small time promoter because most don’t really have the money or staff to back them. This also means a lot of upfront money out of pocket for said promoter. First things first, MAKE SURE YOU HAVE THE FUCKING MONEY TO PAY THE BANDS!!!!!!! The minute you book a show you should set aside your guarantees. There is nothing more heinous than for a traveling band to get stiffed on their guarantee. Most of these bands are getting show to show on the money from the previous show. Now, let’s talk venue. Make sure you completely check out the venue and ensure load in/out locations, if there is a “green room” for the band, if there is sound equipment and a person to man it (here’s a tip: a good promoter should be able to put their hands on a PA and sound guy in a minute. ALWAYS HAVE A BACK UP, AND A BACK UP BACK UP!) The MINUTE you book a show PROMOTE THE SHIT OUT OF IT!!! This does NOT mean just create a Facebook event page and sit back and expect the masses to show up. Make flyers, call people, hand out said flyers at other shows, hit up the local radio shows, HIT THE STREETS!!! Night of show, BE THE FIRST PERSON THERE!!!! You are the director of traffic for the evening, period. Make sure everything and everyone has a place and they are in it. Make the bands feel welcomed and appreciated (THEY WILL TELL OTHER BANDS HOW THEY WERE TREATED!!!) and they will do their best and will love to work with you again. The fans will come to know that your shows are well run and incredible and the word will spread. There are no excuses for putting on a lame show.

it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!

-the Hellion