Black Sabbath

images

Summer of 1977…

I had just met the neighbor kid in the apartment complex we had just moved into. He invited me over to hang out and listen to music one afternoon. He asked me if I liked Black Sabbath and I told him that “Iron Man” was a cool song but that was about all I knew. He then proceeded to play Master of Reality. The music was like an adrenaline shot to my senses. I was hooked immediately and had to have more and find out all I could about Black Sabbath.

Over time I managed to collect their music and it became a part of my regular listening schedule. I couldn’t explain it but the music reached me on many levels. And then, as quickly as I had found them, there was news of a band split.

Back then (before up to the minute news from the internet) rumors began circulating of Ozzy leaving the band. This unfortunately became truth.

It came to pass that Black Sabbath had hired Ronnie James Dio to sing and Ozzy launched a solo career. I was a long time Rainbow fan and was curious to see what Dio would bring. I was positive that Ozzy would have some cool stuff as well.

Let’s talk Black Sabbath first. With the addition of Dio they brought us Heaven and Hell. I like this record but it brought about a sense of change to the Black Sabbath style. I always felt that this record took them in a more pop rock oriented style. It wasn’t bad but it just wasn’t MY Black Sabbath that I’d grown to love. It proved to be the same with the Mob Rules. They had just failed to reach as had been done with their previous work. I like both records and still listen to them today but not nearly as much as the earlier work. And then Dio was gone.

To be honest I left them at that point not even bothering to listen or seek out their music. Black Sabbath was lost to me at that time.

Ozzy went on to great success as a solo artist. He surrounded himself with stellar musicians and made some good records. Like Dio era Sabbath it was different. Ozzy tried to cultivate the Prince Of Darkness image but it failed to reach me. The music while great again, in my opinion, leaned a little more towards the pop rock side.

I know, I know, I can just see some of you rolling your eyes at this. Change is ok and sometimes can be good. It was good for Ozzy’s career and not so much with Black Sabbath. Sabbath eventually reunited with Dio for Dehumanizer before parting ways again.

Eventually Ozzy and Sabbath got over the past and reunited for 13 (without Bill Ward), but, for me, the magic just wasn’t there anymore.

Over time we lost Dio to cancer, Ozzy’s solo career kind of came to a slow down, and Sabbath again had some infighting leading to a permanent split with Bill Ward. But, as I have said in other conversations, that is band business of which we as fans have no part.

All in all, it’s been a good ride with Sabbath and Ozzy. I will always have and cherish the early music they made. Black Sabbath, Paranoid, Master of Reality, Vol. 4, Sabbath Bloody Sabbath, Sabotage, Technical Ecstasy, and Never Say Die! will ALWAYS be the definitive Sabbath albums for me. I will still continue to support anything Sabbath or Ozzy does because that’s what we as music fans do. I don’t have to love it but without that support it will go away. The bands that were influenced by Black Sabbath are countless.

Thank you Ozzy Osbourne, Tony Iommi, Geezer Butler, and Bill Ward for the hours upon hours of enjoyment you have given to me over the years. You four will forever be Black Sabbath in my heart and mind. To all of the others who have had a hand in the Sabbath legacy: Geoff Nicholls, Craig Gruber, Vinny Appice, Ian Gillen, Bev Bevan, Ron Keel, David Donato, Eric Singer, Dave Spitz, Glenn Hughes, Ray Gillen, Bob Daisley, Tony Martin, Cozy Powell, Laurence Cottle, Neil Murray, Bobby Rondinelli, Mike Bordin, Adam Wakeman, Tommy Clufetos, Rick Wakeman, Gerald Woodroffe, Don Airey, Brad Wilk thank you for being a part of such legends. Zakk Wylde, ZAKK SABBATH?!?!?! That’s what I’m talking about!

Dio, you just rule, period.

 

It’s loud, it’s dirty, it’s mother#$%*ing SABBATH!!!

-the Hellion

 

ABBA to ZZ Top – Appreciating Diversity

 

971415_676893142351394_1274451645_n (2)

My mom introduced me to music at a very young age. There was always some kind of music playing somewhere in the house. One of my earliest musical memories is running around with my cousins screaming in our tiny off key voices “Yellow Submarine” by the Beatles.

The music my mom listened to was across the map, but mostly rock oriented. My stepfather, however, was a country man and there was no alternative. I learned to appreciate the sounds I was hearing from songs that they both listened to. I felt the stories they were telling, and that was how I interpreted them, as stories. These “stories” would end up becoming my best friends as my childhood took some nasty turns. They were always there and wouldn’t ever let me down. I ultimately developed an affinity for rock and that became my preferred style of music. I never did lose my appreciation for classic country music though.

The 70’s were a great time for music on the radio. I could hear a broad spectrum of artists on one rock station from ABBA to ZZ Top. I LISTENED and devoured all of the music that I could, often staying up until the wee hours with a small radio under my pillow. I remember a conversation with my mom once where I asked her why she liked music so much her reply was “Because the songs take me away to different places.” I got it, and found myself taking the same journeys. The music was fresh and entertaining and never ever seemed to go stale for me. There was no sub, sub, sub genres, just good music.

This was a time when it was cool to one day wear a Bee Gees shirt and a KISS one the next. We just loved the music. We were clueless and we loved it. We used our imaginations to think about what our favorite musicians were doing and what they would do next, there was bliss in our ignorance.

 

…it was just music and we simply loved it.

-the Hellion

Sandoval/Araiza: Project Playlist

If I were to have to give a quote about the music Jeff Sandoval and Mike Araiza make, it would be this: “This is music as it should be, no preconceived formula here. These guys write and play what they “feel” and that, my friends, is the true spirit of music.”

I’ve known these two guys for a while now and it had been my great fortune to have been at the birth of most of their work. Of The Earth, Frank Hannon Band and now as Jeff and Mike.

That being said, let’s talk about their latest effort  Project Playlist. I cannot tell you how many times I received a text or an excited phone call from Mike telling me to “check out this riff” or “what do you think about this?” there was passion in those messages and that fervor and passion found its way to the record untarnished. Jeff, on the other hand, is like a Zen Master, calm, cool, and collected. His lyrics and powerful yet smooth vocals carry weight and presence that in my opinion border on legendary. Let’s get into the tracks and stroll around a bit.

Project Playlist opens with “The Good Fight” (which happens to be my go to track on this record). Have you ever heard a song that just stays with you? I mean one that you find yourself hitting repeat over and over again? One that you manage to find something new with each listen? You find yourself absent-mindedly humming or tapping the beat throughout the day? “The Good Fight” just happens to be a song like that. Even cooler is that a couple of my close friends wrote it. I tried to put that aside and came to the conclusion that the fact that they were my friends was irrelevant, this is a damn good song, period. As I continued to listen to “The Good Fight” I compared it side by side with other songs and artists I consider in the same vein. This comparison led me to the conclusion that this track by a couple of guys that live in my town and I know personally can go toe to toe with artists like SIXX A.M., Pop Evil, STP, etc., etc. This track features studio wizard Chris Collier on drums and bass as well as production.

“So Long”, featuring Will Hunt on Drums, has a fresh , yet  familiar feeling and yet stays unique. Powerful and yet not abrasive in away this is a song that one could use to set the pace of their impending day. Feeling good and energetic is what this track brings to me.

“It’s All I need” features Kurt Arft on bass and Chris Collier on drums and really packs a punch. Deep lyrics and Jeff’s powerful vocals give this song some weight. This is a heavy song but not overbearing if you get my meaning. Their craftsmanship shines through here.

“Beggars And Thieves” features Kurt Arft again on bass and Will Hunt on drums. This track is probably the “grooviest” one on the record and will have your head bobbing and foot tapping as soon as you start listening to it. There’s a couple of twin guitar parts that Mike just kills with.

Project Playlist closes out with “No Answer” which features Frank Hannon has that 70’s vibe that just goes so well with this song. I love the guitar wok in this track. Nice way to close out the record with some quality music and friends.

What do we ultimately get with Project Playlist? A Rock and Roll record that stands up in this turbulent time in the music industry. Jeff and Mike said “Damn the norm, we’re gonna make the music that we feel inside” and it works, on so many levels. Music at its purest level is what we have here folks.

I must also give shout outs to Kurt Arft, Will Hunt, and Frank Hannon for stepping up and going toe to toe with Jeff and Mike. Their performances are outstanding on this record. I didn’t forget Chris Collier, not only did he deliver some killer bass and drums, like a mad scientist he grafted it all together to deliver a superior recording. I think that in today’s DIY music industry production quality has suffered at the hands of inexperience in record production. Jeff and Mike know the value of a properly produced record and have developed a relationship with Chris that works.

So, after all of that why should you get a copy of Project Playlist? I could say because they are my friends and it would be cool to help them out, but I’m not. You should get this record because it’s great music, that’s it in a nutshell.

Now, you only have until Friday 08/12/16 to get your order in at https://squareup.com/store/JeffAndMike  after that you will only be able to pick it up at live performances. Good news is new music is already being made so stay tuned.

Thanks Jeff and Mike for keeping music alive. – the Hellion

Clutch Frontman, Ex Black Sabbath Drummer Join Forces In Dunsmuir

AlbumCover_Hi-rez_1600x1600

Remember those great concept albums like The Wall, Tommy, 2112, Operation Mindcrime…you get my drift. Well Dunsmuir has a brought a new one into the mix with their upcoming release Dunsmuir.

In case you’ve been leading a sheltered life in a bomb shelter, here’s the lowdown on Dunsmuir: Neil Fallon (Clutch) on vocals, Vinny Appice (Black Sabbath, Heaven And Hell) on drums, Brad Davis (Fu Manchu) on bass, and Dave Bone (The Company Band)on guitar, have put their various talents together to form Dunsmuir, and the result is FANTASTIC to say the least.

Dunsmuir tells the tale of the various fates met by the survivors of a 19th century ship wreck.  What had been intended as a voyage of scientific discovery, quickly devolves into a struggle to survive the natural world, and the supernatural. This tale is successfully told by the mood and tempo of the 10 tracks on this album:

1. Hung On the Rocks
2. Our Only Master
3. The Bats (Are Hungry Tonight)
4. What Manner of Bliss
5. Deceiver
6. …and Madness
7. Orb of Empire
8. Church of the Tooth
9. The Gate
10. Crawling Chaos

     The album has a straightforward no bullshit Rock N’ Roll feel to it. Great mix of vocals, guitar,  bass, and drums with one not overshadowing the other. The mix is stellar and you don’t lose anything when you crank it to outrageous volume. The flow is great as the story is told. The lyrics do a great job of placing you within the story of the brave adventurers of the tale and it translates well. This is an album that is worthy of a road trip with the volume and the windows down AND an evening at home with your favorite beverage and a great pair of headphones. While meant to be taken as a whole, there are a few tracks that call out to me: “Hung On the Rocks” with its catchy licks and chorus reaches out and tickles my ears. “Crawling Chaos” embodies chaos in your ears and yet somehow makes sense. “Church of the Tooth” carries with it an ominous doomy sound which I thoroughly enjoy.

     Dunsmuir delivers some solid Rock N’ Roll in a time when others have given Rock its death sentence. This album gives the middle finger to the naysayers and does its part in proving them wrong.

     Their self titled full length album is set to be released July 22nd via Hall Of Records with presale to begin on July 8th.   The album will be released digitally via iTunes only and the LP will only have a pressing of 1,000 copies with a signed lithograph poster of the album cover and available only at:  http://www.indiemerch.com/Dunsmuir

    Facebook:  www.facebook.com/DunsmuirBand
Instagram:  http://www.instagram.com/dunsmuirband
Twitter:        http://www.twitter.com/DunsmuirBand
Official:        http://www.dunsmuirband.com
YouTube:    http://www.youtube.com/channel/UCav_GlS4rhekNZsOZTp3SzA

          You DON’T WANT TO MISS THIS ONE!!!

     it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!

     -the Hellion

 

 

CLUTCH ANNOUNCE 2016 U.S. TOUR WITH ZAKK SABBATH & KYNG

clutch Fall US tour ad

June 15th, 2016 – Clutch continues their Psychic Warfare World Tour 2016.  Headline tour dates for September-October are in.  The group will be heading back on the road this Fall headlining another leg of their US tour. Supporting the tour will be Zakk Sabbath and Los Angeles based metal band Kyng. Including 2 festival appearances, the trek will begin in Buffalo, NY at the The Town Ballroom on September 28th and conclude in Worcester, MA at The Palladium on October 30th.
 
Clutch lead vocalist Neil Fallon commented “We are pleased to announce that this Fall Clutch will be hitting the road again in the U.S..  This time with Zakk Sabbath and KyngClutch toured with Black Label Society a few years back and it was a blast –  and no doubt, this one will be a blast as well.  We hope to see you all there!”
 
Psychic Warfare is the latest and eleventh studio effort from Clutch.  The disc debuted at No. 11 on the Billboard 200, No. 2 on the Billboard Independent,  No. 1 on the Billboard Hard Rock and Billboard Rock charts.  On Record Store Day this past April 16th Clutch released a limited edition numbered etched vinyl 12 inch that included two previously unreleased tracks from the Psychic Warfare sessions:  “Mad Sidewinder” and “Outland Special Clearance“.   Psychic Warfare was produced by longtime producer Machine (Lamb Of God, Every Time I Die).   
 
Zakk Sabbath, bring their take on Black Sabbath songs on the road for the first time ever The band features  guitarist/vocalist Zakk Wylde (Black Label SocietyOzzy Osbourne), bassist Rob “Blasko” Nicholson (Ozzy OsbourneRob Zombie) and drummer Joey Castillo (DanzigQueens Of The Stone Age).   Kyng, the Los Angeles based metal trio, will be supporting their 3rd release and follow up to 2014’s Burn The Serum.
 
Pre-sale tickets will be on sale today (June 15th) at 12PM local time with public on sale beginning Friday, June  17 at 10AM local time.  Pre-sale tickets are available here: Tickets.artistarena.com/clutch 
For all other information, visit the Clutch website (www.pro-rock.com).
 
Clutch, Zakk Sabbath, Kyng 2016 Tour Dates
 
09/28 – Buffalo, NY @ The Town Ballroom
09/30 – Lakewood, NJ @ First Energy Park – Rock Carnival *
10/01 – Pittsburgh, PA @ Stage AE
10/02 – Louisville, KY @ Champions Park – Louder Than Life *
10/04 – Lake Buena Vista, FL @ House of Blues
10/05 – Atlanta, GA @ The Buckhead Theatre
10/07 – Raleigh, NC @ Lincoln Theatre Street Stage
10/08 – Columbus, OH @ Express Live
10/10 – Little Rock, AR @ Metroplex
10/11 – Oklahoma City, OK @ Diamond Ballroom
10/12 – Albuquerque, NM @ Sunshine Theater
10/14 – Los Angeles, CA @ The Novo
10/15 – Las Vegas, NV @ Brooklyn Bowl
10/16 – San Francisco, CA @ The Regency Ballroom
10/18 – Boulder, CO @ Boulder Theater
10/20 – Kansas City, MO @ Uptown Theater
10/21 – Minneapolis, MN @ First Avenue
10/22 – Sioux City, IA @ Anthem at Hard Rock Hotel & Casino
10/24 – Columbia, MO @ The Blue Note ** NO Zakk Sabbath
10/25 – Chicago, IL @ House of Blues
10/27 – Madison, WI @ Orpheum Theater
10/28 – Detroit, MI @ The Fillmore
10/29 – Clifton Park, NY @Upstate Concert Hall
10/30 – Worcester, MA @ The Palladium
 
* festival appearance 
 
CLUTCH:
Neil Fallon – Vocals/Guitar
Tim Sult – Guitar
Dan Maines – Bass
Jean-Paul Gaster – Drums/Percussion

                                                  

 
For more  information, check out the band’s website:
 
Official: www.pro-rock.com
 
You know I’ll be there!!! – the Hellion

Stacey Blades unveils Angels In Vein

13332741_1098439043528198_2014737802050667784_n

I recently had the chance to talk to my friend Stacey Blades about the exciting new project he’s been working on, Angels In Vein. Check out the conversation right here:

 

     Be sure to visit http://www.angelsinvein.com for all the Latest! Thanks to Rock-n-Roll GangStar for the badass merch on their site!!!

     it’s loud, it’s dirty, it’s ANGELS IN VEIN!!!

     -the Hellion

Project Playlist from Jeff Sandoval and Mike Araiza

Here you go folks! the Hellion Rocks purchased (yes I said purchased) four pre-release autographed copies of the new Jeff Sandoval and Mike Araiza CD “Project Playlist” to give away! If you want to win one before you buy one email me at janaya@thehellionrocks.com and tell me why you want one. Make sure to enter “Project Playlist” in the subject line. There are only four so email quick! In addition, I sat down with Jeff and Mike to discuss their musical journey and we rolled cameras….look for the video later this week.

image

Al Jourgensen talks Surgical Meth Machine

     Well, Things sometimes get a little “different” here at the Hellion Rocks.

SurgicalMethMachine_SMM

     he’s loud, he’s dirty, he’s Al Jourgensen…

     the Hellion

Appetite for disaster…

971415_676893142351394_1274451645_n (2)

As most of you have probably heard by now there are rumors flying about Axl Rose filling in on vocals for AC/DC. Here is my unabashed opinion, like it or not.

I have stated many times before how I am of the opinion that AC/DC died with Bon Scott. Angus and the boys soldiered on with Brian Johnson and had some good songs but it just wasn’t AC/DC for me and never would be. Yes, I continued to buy every record they released because I support that way, but there was always something missing for me.

Now we hear of some sort of hearing debacle with Brian Johnson and his immediate departure from their current tour. That departure started the rumor mill going full blast with speculation upon speculation as to who would step up and fill Brian’s shoes. Who indeed…

Within my circle of friends I began to hear a rumbling of Axl’s name being thrown about. Then I began seeing it on social media, and now many websites are jumping on the “Axl replacing Brian” band wagon as well.

Here are my thoughts, the AC/DC machine runs pretty tight, Axl does not. I am of the opinion that given who Axl is (don’t get me wrong he is a great front man) and who AC/DC is it would be like oil and water. I cannot even imagine Axl performing with them for one minute. We were all just getting excited about the impending “reunion” of Guns N’ Roses (don’t get me started on that one) and now this hence the title of this writing, “Appetite for Disaster”.

I would love nothing more than to be wrong and it be a great success for Axl and AC/DC but I just don’t see it…

it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!

-the Hellion

 

Blaze Ya Dead Homie

the Hellion here,

When I am asked to cover a show I do my best to make that happen. I was unable to get to this one so I reached out to one of my minions who did a bang up job covering it.

 

An outsider looking in, the misunderstood Juggalo from the perspective of a metalhead.

The Hellion’s Horsemen

Nothing but kindness and love.

When I was asked to cover a Juggalo concert, and Blaze Ya Dead Homie at that, I at first rejected the assignment on previous biases and lack of information about who the Juggalo’s really were. However, a good friend of mine turned out to be a big Juggalo fan convinced me to go with her so I took the assignment, and was glad I did. I received nothing but kindness and love.

The Juggalo’s are super passionate about Horrorcore, the atmosphere was definitely intense in the pits but everyone generally had a good vibe, in fact people who started drama were called out. “THIS MOTHER FUCKER RIGHT HERE!!!”  Followed by “WHOOP!!!! WHOOP!!!!” as security took them out.

When I wanted to get to the front, they made room for me and smiled as they caught a few glimpses of the work I was creating for them. I am glad I had my Juggalo friend with me to help understand the culture of the Jugallo that seems so misunderstood.

The Music was a downright wonder, it’s easy to see how the Juggalo fan base has grown so much and why the music garners such intense passion from its fans. The only Juggalo song I had heard before this concert was the ICP tune Miracles and was confused by it probably because I’m not a Juggalo even though I enjoyed the video and thought the beats were neat.

Heavy Beats, a unique sound, the lyrics are equally as intense as the music with extremely controversial subjects. It’s like, the movie Halloween (the original) in lyrical form. I really enjoyed the intensity, and energy of Blaze, Lex, Trilogy, DJ Stigmata, and illNickEll. Yesterday was a good lesson. I certainly plan on doing a little more after gig research, and a bit more listening

Blaze’s performance was unquestionably a hit. He is a well thought out MC, he works the crowd and the crowd loves him. One women was in tears over his performance. The light, the magic and the swing of his groove was downright inspiring. You could hear his passion for his role and who he is. The subject matter, and his persona along with his label, calling out his ninja’s and family. Regardless of the controversy surrounding the Juggalo’s, their brand and labels if you get the chance to see a concert. Take it. I have been to many concerts. I will remember this one for years to come.

I’m thankful for the opportunity. The Juggalo is a bit less mysterious to me now, and hopefully for others as well. Ya’all were super kind and have some real talent.

The Hellion’s Horsemen is part of an elite team of photojournalist, writers and professionals supporting The Hellion Rocks in its humble ambition to be the best it can be.

the Hellion Rocks responding to the needs of my industry contacts!