Category Archives: Tattoos

Bar Bands, Bar Bands, Bar Bands…

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Recently a couple of people have made disparaging comments about bar bands. One person in particular  made it known that bar bands were beneath him and a waste of time. Well I am here to tell you that most bands you have heard of and listen to today got their starts in a bar somewhere. Ok, ok there are those few anomalies out there I’m sure who jumped immediately into arena gigs.

The Doors, Motley Crue, the Beatles, Guns N’ Roses, the list goes on and on. These bands played to small crowds at first and honed themselves into arena machines.

Now, in today’s world, arena bands are mostly extinct so the return of the bar/club band is more important than ever. There are several bar/club bands that live in my heart these days. They are there because I have insight as to the blood,sweat, and tears they exude. Their craft is important to them and they are willing to go that extra mile to give their all to their fans. I wish to personally thank the following bands/performers in no particular order: Dellacoma, Nomada, Skulldron, Throw The Temple, Scattered Hamlet, Darken The day, Wulf, Beard, Ragdoll, Crowned By Fire, Mike Araiza,  and many, many more. I salute you all for being the warriors you are and for flying the Rock N’ Roll flag high. All you other local bands, STEP UP!!! And to you naysayers out there, I’ll debate you on camera anytime, you know how to reach me.

it’s loud, it’s dirty, it’s Rock N’ Roll!!!

-the Hellion

 

 

Van Halen….again

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1978- Who doesn’t remember when you first heard “Eruption”? Myself and my local group of ne’er do wells were stopped dead in our tracks when we did. It was a sonic assault unlike any we had heard before. How could this be a guitar? Who could be behind this? And when it lead into “You Really Got Me” (being a Kinks fan I knew the track very well.) their rendition blew me away. I finally got my hands on a copy of this tasty piece of vinyl and proceeded to wear it the hell out. The raw power and swagger of this band was unbelievable. I found my self lost in the music and fancied myself a DLR clone. I mustered up as much swagger as I could and failed miserably, there was only one David Lee Roth.

Throughout the years I caught them every chance I could (Van Halen today remains the band I have seen live the most) and was never disappointed. The albums changed and the music evolved as did the members of Van Halen.

Things started going south for me with the 1982 release of Diver Down. Some of the tracks were incredibly awesome, and others left me scratching my head in bewilderment. What was going on here? I sucked it up however, and remained a loyal fan.

1984- WTF?!?!? What happened to my band of badasses? “Jump” really? As much as I tried to like this record it never really happened for me. And then, the king of swagger was gone David Lee Roth was no longer a part of the mighty Van Halen.

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I had been a fan of Sammy Hagar for quite a while when I heard the news of his replacing DLR. I thought to myself “this should be interesting with Sammy being quite an accomplished songwriter and guitarist. I waited in anticipation for the results.

When 5150 hit the stores I snapped it up eager to see what direction they were taking. While not the dangerous “you’re gonna go to jail if you hang out with those guys” band they used to be, it was good. Different but good. Van Halen had become a more mainstream act and it seemed stronger song writers. I found myself at that point in my life more mature as well, and I enjoyed the music. The four studio albums with Sammy gave some great songs and the memories that went a long with them .

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And then, like a bad dream, Sammy was out and Gary Cherone (really guys, I thought to myself) from Extreme was in. it was 1998 and was a 34 year old family man now but still a loyal rocker. I put aside my misgivings and entered Van Halen III with an open mind. I actually found this record quite good, a departure from the VH sound but good. And then, again, Gary was out and so was Michael Anthony.

Van Halen then kind of faded away in the eyes and ears of most people. They remained ever present in the rotation of music that I played, never far from my ears. Rumors and stories abounded but never came to fruition.

A couple of Reunions with Hagar and Roth came and went and rumors of new album with Roth began. In 2012 we finally got A Different Kind Of Truth and learned that Wolfgang Van Halen was now the bassist for Van Halen. It was through this record I realized my precious Van Halen was no more.

I had been there though it all: Van Halen, Van Hagar, Extreme Van Halen, and now Van Halen3 plus Dave.

In the past few days Van Halen has been asplash on the internet with their appearance on Jimmy Kimmel. I watched with baited breath hoping to catch a glimpse of my heroes of old. Alas, I was disappointed and a little embarrassed for them. While Eddie as usual had killer tone and chops, and Alex still brought the thunder, Young Wolfgang was no Michael Anthony, and David Lee Roth, well, let’s just say sometimes it’s better to leave on a high note. I will not speak of the current Sammy project because this was about me and Van Halen and I want to keep it that way.

I will always love and respect the music Van Halen has given me throughout the years and yes I will buy any and everything they release, I just feel that it’s time to move on for them….

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Van Halen I love you guys (all of you) now and forever

-the Hellion

 

 

This just in from the Megadeth newsdesk!

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CHRIS ADLER of LAMB OF GOD Joins DAVE MUSTAINE in the Studio for New MEGADETH Album

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Dave Mustaine, the creative driving force behind original American metal and hard rock crossover giants MEGADETH, and Chris Adler, drummer for the leaders of modern American heavy metal LAMB OF GOD, will join bassist David Ellefson in the creation of MEGADETH’s anticipated forthcoming album. Adler will be appearing as a guest on the album and contributing his thundering, hard-hitting, and technically precise style and skill, adding new blood and drive into the mix while staying true to MEGADETH’s roots.

Dave Mustaine comments, “Chris is a tremendous talent, and an amazing person. He is going to bring a new level of excitement and energy toMEGADETH that the fans are going to lose their minds over. I have nothing but respect for my previous drummers, but this is going to absolutely KILL! Back in 1989, MEGADETH originally worked as a three piece – guitar, bass and drums – when we laid down the framework to our GRAMMY® nominated platinum album ‘Rust In Peace.’ I want to thank the other members of Lamb Of God for allowing this opportunity to take place for all of us in the metal community.”

David Ellefson adds, “Chris has been an endearing friend to us in MEGADETH for many years now, and he truly appreciates our music and its legacy. His drumming has forged such an innovative and ferocious path for metal music and I’m very proud that he is anchoring our rhythm section with us on this new album. I can clearly see a new dawn of ‘utmost heaviness’ unfolding in MEGADETH’s next chapter.”

Chris Adler offers, “MEGADETH was the game changer for me. Growing up, there was no other band that meant as much to my musical interest and direction. There is no doubt I would not be doing what I have been doing for the past three decades had I not stumbled across ‘Killing Is My Business’ and the bible of all metal, ‘Peace Sells‘ in my formative years.”

“About 10 years ago, LAMB OF GOD toured with MEGADETH and I was able to share that story with Dave and David, and we have kept in touch ever since,” adds Adler. “When Dave called me a while ago and asked if I was interested in making a thrash metal album with him, I felt like I must’ve been on a hidden camera show. “I was trying to play it cool, but I was speechless other than YES! Once I called my wife and my band guys to let everyone know, I had some time to really think about it and how I can best fit into this situation. I’m coming into this on fire. There is an incredible amount of respect, but the goal here is to make the very best thrash album we can. Together, I believe we can do something very special! Get ready for a very exciting chapter in the MEGADETH legacy.”

The new album is the follow up to MEGADETH’s 2013 release, Super Collider. Super Collider hit No. 6 on The Billboard 200 and No. 3 on both the Top Rock Albums and Top Hard Rock Albums charts consecutively. To date, MEGADETH has sold more than 38 million albums worldwide and has scored five Top 10 albums, two Top 5 releases.

http://www.megadeth.com

https://www.facebook.com/Megadeth

      it’s loud, it’s dirty, it’s MEGADETH!!!!

     -the Hellion

 

Covers! Covers! Covers!

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Ahhh the old cover issue again. I have been asked to revisit covers so here it is. I have stated in the pas that there are good, and there are bad, very bad. As I am writing this I am reminded of classic rock songs that are ruined by rap/hip hop artists. I am of the opinion that some artists cannot come up with something of their own so they cover an already successful song and others choose to pay homage to the artists which inspired them.

There are songs out there that achieved little or no attention by the original artists for example:

“I Love Rock ‘N Roll” which was written and recorded in 1975 by Alan Merrill and Jake Hooker of Arrows.

     And then there is the Joan Jett cover from 1982 which the world knows and loves.

  

     I am probably one of the few people who actually prefers the original but Joan stayed true to the original vibe of the song.

     “New York Groove” was written by Russ Ballard and first recorded by Hello in 1975.

     Then the world famous version by Ace Frehley of KISS in 1978.

     Ace stayed true to the original as well and, in this case, I prefer the Ace version.

     “Space Truckin'” by Deep Purple is one of my favorite songs in the world and was written in 1972.

     Tesla decided to take  on this hard charging track on their ambitious Real To Reel release in 2007.

     Tesla crushed this cover and kept to the original Deep purple vibe, but I still prefer the original.

     Now to the covers which leave me less enthusiastic. I have heard some people talking about these songs as if the covers were the original tracks which makes me nuts.

     Let’s go back to 1934 where Clarence “Tom” Ashley and Gwen Foster recorded an old folk song called “House Of The Rising Sun”

  

     This song was made popular by the Animals in 1964 and is probably the best known version of the track.

     which has led to the version Five Finger Death Punch recorded in 2013.

     While I happen to dig the vibe of the earlier versions I think the FFDP version is an abomination and shows no respect to the original song. I am embarrassed for the band and their version of it.

     “Good Times Bad Times” by Led Zeppelin was recorded in 1968 and was a blast to the ears and mind.

     While I was an early Godsmack fan their 2007 version was a miss for me.

     

     I think it’s obvious that the Led Zeppelin version wins out for me.

     Ok, so all of this is just a matter of opinion for me and I mean no disrespect to anyone. Please share your opinions with me and the readers as we would love to hear them.

     it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!

     -the Hellion

Dellacoma is back with South Of Everything

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DEL SOE COVERDEL SOE BACK COVER

WAKE UP!!! There’s no sleeping when you fire up the new release from Dellacoma. This is a hard charging album straight from the gate!

Loud guitars, punchy bass, powerful drums, and vocals reminiscent of Rock Stars past, it’s all here.

Following the amicable dissolution of the Australian based Sunset Riot Dellacoma Rio found himself at a crossroad.Thankfully for us he chose to continue his musical journey.

Like a superhero,  Del summoned forth a new band of musical warriors to assault the world anew. Gathering fellow Australian Rick Reynolds on bass, and from Dallas Texas: Matt Cook on drums and Art Stuck on guitars, Dellacoma was complete.

They then went to ground and began recording the record that was to become South Of Everything. If you have ever felt music in the past and can remember how it made you feel you will welcome this album.

One can hear the many influences this band pays homage to and yet it remains distinctly unique. I find myself thinking of the swagger of Aerosmith and early Def Leppard to Buckcherry even.

The standout tracks for are “Under My Skin” which opens with drums that remind me of a Saxon tune and then quickly transitions into a sleazy rockin’ tune that is near and dear to me. “FJH (Get Me Out)” has a kind of Motley Crue vibe yet retains the Dellacoma swagger we all know and love. “Fame-Slaves-Gold” will take you back to when Aerosmith was still cool, powerful and bluesy I have hit repeat on this track several times.

Those are a few of the standout tracks for me on the record but believe me there is no filler here. This is the kind of record you want to put on in your car, roll the windows down, drive fast and share with the world.

I am proud to say that I have become close to Dellacoma Rio over the years and have seen the behind the scenes struggle this man has endured to get the music that burns so brightly within him out to the world. Now Del, Rick, Art, and Matt are proud to unveil their recipe for good rock n’ roll to the world.

As a bonus for me I was asked by Del to provide him with a photograph for inclusion in the cover art and I am proud to sat it was used for the back cover and CD face. Thank you for that Del and the gang.

Setting my friendship with Del and the guys aside and basing solely on the music I would give this record a solid 10 out of 10 stars. I say this because of this records ability to transport me to a different time and place, a feat that is hard to come by in this day and age of fast food music.

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Thank you Del, Rick, Art, and Matt for a kick ass rock n’ roll journey!

it’s loud, it’s dirty, it’s DELLACOMA!!!

-the Hellion

 

 

 

Immortal Randy Rhoads – The Ultimate Tribute – DVD thoughts and review

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September 27 1980- My friend Brett came over to my apartment to hang out with me on my 16th birthday. He smiled as he handed me a wrapped package. I eagerly tore the wrapping off to discover the Blizzard Of Ozz record. “I knew you loved Sabbath so I saw this and figured you would enjoy it.” We raced to my room and found ourselves entranced by the music. I was most impressed by the guitar playing album on this record. The passion and power of the guitar playing on it was enough to make me weep. Brett and I instantly became Randy Rhoads fanatics. A lot of our friends were Eddie Van Halen nuts through and through, but there was something a bit more magical about Randy Rhoads for me. We read everything we could find and tried our best to wear out my copy of Blizzard Of Ozz.

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When Diary Of A Madman came out in late 1981 I was there at the record store and raced home to hear what Randy had come up with to blow our minds, I was not disappointed in the least. This record too found itself being quickly worn out on my turntable. Again, I read every bit of press, had the posters, t-shirts, and all of the necessary accessories. Brett and I even figured out the secret codes on the album. Then, miracle of miracles, Ozzy was coming to our town!!! I did odd jobs to earn my $8.50 for my ticket. We went and positioned ourselves in front of Randy and witnessed a show that has yet to be repeated. The way Randy commanded the stage was sheer magic, and the way he played the songs live was utter brilliance. We left the show elated and sold that Randy was the greatest guitar player ever. Then, three months later he was gone, and I openly wept.

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         Now in March of 2015 I find myself watching a DVD about people who were influenced by Randy and his music. Kelle Rhoads let us into the world that he and his brother developed their musical skills in by walking us through the legendary Musonia Music School. Kelle told us of  how his mother, Delores, influenced Randy to audition for Ozzy. He also shared some moments of the younger Randy and himself performing is the school. I really felt the emotional bond and the sense of loss Kelle has for Randy when he showed the room where Randy taught guitar. It was stated that the room has been restored to the way it was when Randy packed up and left for his gig with Ozzy. It is truly a room frozen in time.

     The legendary Bob Kulick hosts Bob’s interaction with Kelle was enlightening and I learned new things about Randy. Bob spoke with drummer Frankie Banali and I learned things about the formation of the Ozzy solo band that I never knew. Dana Strum? Frankie’s involvement? You have to watch it and see. Hearing the stage stories from my friend Rudy Sarzo was amazing as well. Bob talks on with George Lynch, Doug Aldrich, Dweezil Zappa, Joel Hoekstra, George Lynch. Bruce Kulick, and Jon Donias. They all tell how Randy affected them musically.

     This DVD has led me to appreciate Randy “the person” more than I previously had. It is quite obvious how much his peers loved and respected him.  I am glad that the time was taken to produce this in tribute to the great Randy Rhoads who continues to live on inside me and others who listen and truly appreciate his musical legacy.  Please be sure to pick this up and allocate an hour and a half to learn about and share the life of this great musician and human being, you will NOT be disappointed. Randy truly is immortal.

     it’s loud, it’s beautiful, it’s Randy Rhoads

     -the Hellion

Throw The Temple taking steps to grow their fanbase

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Throw The Temple from Albuquerque, NM is an eclectic band. Not afraid to embrace the world in their own creative way they have managed to continually impress me. Throw The Temple has decided that instead of waiting for the world to discover them, they are gonna head out and start kicking doors in. They are currently in the running to play at the Ernie Ball Battle Of The Bands Floodfest 2015. I am asking you to vote for these hard working rockers who are not afraid of themselves or the Rock N’ Roll world. You can vote right here:

http://austin.battleofthebands.com/u/throwthetemple

      it’s loud, it’s dirty, it’s THROW THE TEMPLE!!!!

     -the Hellion

DIMEBAG’s Grave Allegedly Vandalized By Up-And-Coming Metal Band

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According to a post on PANTERA‘s Facebook page, authorities have been notified after members of an up-and-coming metal band allegedly used an Instagram account to boast about defacing late PANTERA guitarist “Dimebag” Darrell Abbott‘s grave. The since-removed Instagram post (the Instagram account has been deleted as well) showed a photo of the grave with the following caption: “i HATE pantera…with a passion. and so does the rest of my band. so on tour going throug texas we paid douchebag darrell a visit, we spit on his grave, stole a pair of cowboy boots, and i wrote ‘FAG’ on his grave… i’m not a homophobe but i hope all panturrrra fans see this and shit themselves with anger….FUCK DIMEBAG, buncha racist hillbillies”

Unsurprisingly, many of the PANTERA fans have since caught wind of the posting and have since used the Internet to voice their displeasure over the grave defacement. The PANTERA camp has also commented the despicable actions of the individuals in question, writing on Facebook: “We are absolutely disgusted by this! We ask that all of you please show Dime and his grave the respect he deserves. This conduct will not be tolerated and the authorities have been notified.”

After it was reported a few years ago that Dimebag‘s grave at the Moore Memorial Gardens Cemetery in Arlington, Texas was vandalized, Dimebag‘s brother, former PANTERA and current HELLYEAH drummer Vinnie Paul Abbott, was asked by Artisan News if the person responsible for causing the damage had ever been apprehended. “Nah, nah” he replied. “But it’s just a real disrespectful thing. I don’t understand why somebody would wanna scratch their name in somebody’s tombstone or anything. But fans are rabid, man; they do unheard-of things. I just wish they would respect him and let him rest in peace and just leave it at that.”

“Dimebag” Darrell Abbott was co-founder and lead guitarist for PANTERA. When PANTERA broke up in 2003, Dimebag and his brother Vinnie Paul formed DAMAGEPLAN. On December 8, 2004, while performing with DAMAGEPLAN at the Alrosa Villa in Columbus, Ohio, Dimebag was shot and killed onstage by Nathan Gale. He was 38 years old.
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courtesy of Blabbermouth .net

complete and total disrespect…smh

-the Hellion

DELLACOMA signs to Shock Records

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We are very pleased to announce that we have signed our very first record contract! Shock Records will be releasing our debut album “South of Everything” in Australia and New Zealand on 10 April. Unfortunately we still do not have a release date for the rest of the world but the good news is that if you pre-ordered we will be shipping out within the next couple of weeks and even if you missed out on the pre-order you will still be able to order either off the Shock Records website or by messaging the band directly.
This is a giant step forward for us as a band and we are so incredibly grateful for all your support and patience, none of this would have been possible without YOU our dedicated fans. We look forward to seeing many of you soon as we hit the road for more epic adventures.

     DELLACOMA is:

Rick Reynolds- bass
Art Struck- guitar
Matt Cook- drums
Dellacoma Rio- vocals

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     Check out DELLACOMA online at:

http://www.dellacoma.com/

https://www.facebook.com/dellacoma

 

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Check out Shock Records online at:

http://www.shockrecords.com.au/

https://www.facebook.com/shockrecordsaus

     I also feel mighty proud that one of my photographs was used by DELLACOMA for the rear cover!

     it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!

     – the Hellion

 

 

AGNOSTIC FRONT Release First The American Dream Died Webisode‏

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AGNOSTIC FRONT Release First The American Dream Died Webisode

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Available April 7th in North America Via Nuclear Blast 

New York hardcore pioneers AGNOSTIC FRONT have posted the first video in the webisode series the band filmed documenting the production process and the background for the new album The American Dream Died. Check out the first webisode HERE.

AGNOSTIC FRONT has announced that as a special bonus in each vinyl edition of the album, every copy will also contain a download code for the album Your Time’s Up by THE ALLIGATORS, a rowdy punk project featuring AGNOSTIC FRONT singer Roger Miret and members of legendary Anaheim, CA hardcore band INSTED.

 

The American Dream Died was produced by MADBALL singer Freddy Cricien and engineered, mixed and mastered by Paul Miner (H2O, TERROR) and will be released April 7, 2015 via Nuclear Blast Records.

 

The record will feature guest appearances by Cricien, Toby Morse (H2O) and Lou Koller (SICK OF IT ALL).  The band also announced the collaboration of legendary AGNOSTIC FRONT/MADBALL guitarist Matt Henderson on the song “A Wise Man.”

 

Commented Miret: “Matt Henderson tracked all guitars for ‘A Wise Man’ being that song has a total One Voice era feel! Our good friend Ricky Singh (BACKTRACK NYHC) is to credit for the songs existence! The band executed it with such a great feel and bringing in our brother and ex-AF veteran Matt Henderson to solely do the guitar tracks was just magical!”

 

The American Dream Diedwill be available as digital download, on vinyl as well as on CD. A limited bundle with an exclusive T-Shirt will be available, too – surf to http://smarturl.it/AmericanDream-NB  to secure your copy!

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Recently AGNOSTIC FRONT posted a track-by-track commentary for every song on the new album. It was written by the band’s iconic front man, Roger Miretand can be read below.

 

The American Dream Died:  It’s a harsh look at what’s going on today in our society. The intro that precedes this song says it all! It’s a reaction to everything happening around us right now. The higher ups are out of control! 

 

Police Violence: This is our reaction to what’s going on in our country regarding the unprovoked brutality of our citizens by those who we pay to “protect and serve” us.  If they are going to act like criminals, then they should be prosecuted as one! They have some kind of elite fraternity-like understanding that they protect each other with.  Don’t abuse your badge!

 

Only In America: It’s sad to learn that the people who serve in our military and risk their lives fighting in wars come home to the government not giving a shit about them, especially if those veterans were wounded mentally or physically. They gotta go through a lot of bullshit just to try and get a little help and support. You’ve gotta be blind if you don’t see that, only in America. This is why I strongly believe the US Government should stop policing the world, and start caring for the issues right here in the USA!

 

Test Of Time: Learning from the past is important, to help you move forward and not make the mistakes we did in our youth. Longevity is the key to success. We won’t get left behind.

 

We Walk The Line: It’s a statement of who we are and how we live in relation to the hardcore community.

 

Never Walk Alone: We always spoke about unity and how sticking together will help us grow as scene. Hardcore is worldwide now. This is our scene, our passion and it was great to present this song with honorable NYHC veteran’s Freddy Cricien (MADBALL), Toby Morse (H2O) and Lou Koller (SICK OF IT ALL) joining on the anthemy chorus!!! Punk rock/Hardcore is a movement it’s not an image!

 

Enough Is Enough: Protest song! I once read an inspiring quote that went like this “I hold it, that a little rebellion, now and then, is a good thing, and as necessary in the political world as storms in the physical” – Thomas Jefferson. 

 

I Can’t Relate: Dealing with different people you don’t like in different situations. Could be applied to a boss, ex girlfriend, someone who lives a completely opposite lifestyle, etc.

 

Old New York: New York City has lost its edge. It’s been stripped of its culture and over run by money. Making it hard for musicians and artist to live there. Now we’re surrounded by transplants and rich hipsters. Let’s face it, it’s not the NYC I once adored. That one is so well documented in one of my favorite movies Taxi Driver! Hence the intro, I Miss The Old New York.

 

Social Justice: Nothing is more disgusting than hearing about a grown man rapping a child. This song talks about a man who got caught in the act and was served street justice stabbed with knives from his head to his toes. Justice served!

 

Reasonable Doubt: Our whole lives we’ve been criminalized for one reason or another. But it’s actually the media, the corporations and the government who are the scumbags. Power to the people standing up against them. Wake the fuck up people!

 

No War Fuck You: Self explanatory, stop creating wars so you can justify your unlimited defense budget and make all your friends rich. Innocent people are dying for your stupid games.

 

Attack!: On some occasions people tend to disrespect and take our kindness for weakness. We have always been known for never taken shit from anyone. Cross the line and we will attack!

 

A Wise Man: Growing up in NYC living in and out of Vinnie’s apartment. Our old friend John always looked out for us like a father figure. He tried to guide us in the right direction and give us good advice. He was a wise man, a friend forever. 

 

Just Like Yesterday: This song takes us on the journey through our history as a band, from touring all over the world and making friends that still remain loyal today. One of my favorite lines is “From NYC to the Berlin beat.” It shows our love for those two great cities and our great world accomplishments as a hardcore community.

 

 

The American Dream Died Track Listing:

01. Intro

02. The American Died

03. Police Violence

04. Only In America

05. Test Of Time

06. We Walk The Line

07. Never Walk Alone feat. Freddy Cricien, Toby Morse & Lou Koller

08. Enough Is Enough

09. I Can’t Relate

10. Old New York

11. Social Justice

12. Reasonable Doubt

13. No War Fuck You

14. Attack!

15. A Wise Man feat. Matt Henderson on guitar

16. Just Like Yesterday

 

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Visit AGNOSTIC FRONT online at: http://www.agnosticfront.com

 

Like: https://www.facebook.com/agnosticfront

Follow: https://twitter.com/agnosticfront

Watch: https://www.youtube.com/user/agnosticfront

     it’s loud, it’s dirty, it’s ROCK N’ ROLL!!!

     -the Hellion