Tag Archives: Ozzy Osbourne

10 BANDS TO START 2013 ROCKIN’!

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TOXICROSE

toxicrosehttps://www.facebook.com/TOXICROSE.Official?fref=ts

http://toxicrose.org/

Andy- Lead Vocals
Tom – Guitars
Goran – Bass
Michael – Drums

The up-and-coming sensational four-piece modern metal band ToxicRose was formed in Stockholm Sweden in 2010.
Consisting of Tom (Gemini Five), Andy and Michael (both EX Lipstixx ‘n’ Bulletz) and Goran (EX Sexydeath).

There is no compromising or limits in the world of ToxicRose. Powerful Vocals combined with Aggressive Guitars , Grand melodic Synths & Dark Emotional Lyrics.
TXR stands tall for the outcast and they’re here to take metal to a new level.
With their catchy melodic epic metal anthems and shocking look they are unstoppable!

PAIN

pain-2011-out-bb-v2https://www.facebook.com/OfficialPain

http://www.painworldwide.com/

Peter Tägtgren – Vocals & Guitar
David Wallin – Drums (2003)
Michael Bohlin – Guitar (2007)
Johan Husgafvel – Bass (2007)

 PAIN is a musical project from Sweden that mix heavy metal with influences from electronic music and techno. The project started out as a hobby project for front man Peter Tägtgren, whose idea was to fuse heavy metal with 1980s-inspired electro-industrial and techno influences. Tägtgren, who is also the vocalist/guitarist of Hypocrisy and producer of his own The Abyss studios, is the only current member.

LONDON BASED HELLFIRECLUB

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https://www.facebook.com/thelondonbasedhellfireclub

London Legrand: Vocals
Dixxi: Guitar
Vikki Violence: Guitar
Dizzy Leijon: Bass
Vixy Von Starshine: Dancer

Industrial Goth/Glam band that will make your skin crawl! Get ready ’cause once again Zombies and Vampires will walk among you

HALF PAST MY SIN

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https://www.facebook.com/HalfPastMySin

http://halfpastmysin.com

Jason M Arigoni -Vocals-Songwriting
Dan Zavadil- Bass-Songwriting
Session Players:
Jason Bittner-Drums
Ben Carroll-Guitar

With strong melodic presences and driving beats, HALF PAST MY SIN will find a place with fans of bands like SEVENDUST, DISTURBED and DROWNING POOL, to name a few…..
The new Album from Half Past My Sin “4:44” featuring Sinn on vocals and Dan Zavadil on bass with special guests Jason Bittner of Shadows Fall on drums and Ben Carroll of RA on guitars!!! Also appearing on 4:44 will be the songwriting Clint Lowery of Sevendust!!!
Out early 2013!!!!
welcome to the sin!!!

NEWSTED

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https://www.facebook.com/jasonnewstedofficial

http://newstedheavymetal.com/

Jason Newsted – Bass, vocals
Jesus Mendez Jr. – Drums
Jessie Farnsworth – guitars

In December 2012, Jason announced that he had formed his own band called Newsted with drummer Jesus Mendez Jr. and guitarist Jessie Farnsworth. The band released a four-song EP, titled Metal, on January 8, 2013.

 

BLACK STAR RIDERS

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https://www.facebook.com/BlackStarRidersOfficial?fref=ts

http://www.blackstarriders.com

Ricky Warwick – Vocals/Guitar
Scott Gorham – Guitars
Damon Johnson – Guitars
Marco Mendoza – Bass
Jimmy DeGrasso – Drums

In October 2012 Thin Lizzy announced that they would not be recording new material under the Thin Lizzy monicker. The last incarnation of the band – Scott Gorham, Brian Downey, Darren Wharton, Ricky Warwick, Damon Johnson and Marco Mendoza – would be looking to form a new project.

Step forward Black Star Riders…

Today sees the announcement of the new band formed by Thin Lizzy alumni Ricky Warwick (vocals), Scott Gorham (guitar), Damon Johnson (guitar), Marco Mendoza (bass) with new addition Jimmy DeGrasso on drums (Alice Cooper, Megadeth, David Lee Roth, Suicidal Tendencies). The change in personnel came about as Brian Downey didn’t want to commit to the touring cycle a new album would entail and Darren Wharton wanted to concentrate on Dare and other music and film projects.

Black Star Riders is set to enter the studio in Los Angeles in January 2013 to start recording their debut album with the legendary Kevin Shirley (Led Zeppelin, Iron Maiden, Aerosmith, Rush). The album will feature material the band wrote whilst touring as Thin Lizzy and the sound retains that classic feel but is very much its own as well. The Black Star Riders record is the next step in the evolution of the Thin Lizzy story.

 

MOBILE DEATH CAMP

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https://www.facebook.com/mobiledeathcamp

http://www.mobiledeathcamp.net

Chad Smith – Drums
Boe Skadeland – Bass
Todd Evans – Guitar/Vocals

Based out of Toledo, Ohio, MOBILE DEATHCAMP has been sawing clubs in half, and leaving crowds with their collective jaws on the floor since the band’s inception in 2008. Formed by Todd Evans at the end of his 6 year stint as Beefcake The Mighty with the legendary shock rockers, GWAR, and joined in aural battle by Boe Skadeland and Chad Smith, this musical terror pocket has been consistently leveling venues across North America.

 

NEVERWAKE

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https://www.facebook.com/neverwakemusic

http://www.neverwakemusic.com/

Johnny DiCarlo – Lead Vocals – Guitar
James Watson – Guitar – Vocals
Marcus Giannamore – Drums
George Scott – Bass

“NeverWake” concentrates on songs that reside between Rock and Metal to bridge both genres. They combine memorable, melodic vocals and gothic guitar harmonies over heavy distortion to achieve their style. They are currently looking to be signed to a record label and hit the road. NeverWake continues to develop their style by incorporating more complex riffs, heavier background vocal style, and dark orchestration while keeping their melodic lyricism. NeverWake released their debut full-length album “VITALITY” in August 2011, produced/engineered/mixed by Mike Ofca at Innovation Studios! “Vitality” is available on iTunes and other main online retailers. You can also order the hard copy by emailing neverwakemusic@gmail.com for inquires.

Recently, they have also released their debut music video on YouTube for the song “Pulse”, produced by Jeff Moore of Axtravaganza Films!

 

3 QUARTERS DEAD

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https://www.facebook.com/pages/3-Quarters-Dead/149922983545

http://www.3quartersdeadmusic.com

Mark Alexander – Guitar
Sam Rhodes – Guitar
Jason Sain – Vocals
Matt Staley – Bass
Kenny Wyatt – Drums

3 Quarters Dead was formed back in 1999 with original members Kenny Wyatt and Mark Alexander. After they returned from a tour with Mushroomhead, they began recording their second full length CD with Steve Felton (Skinny) of Mushroomhead. The vocalist at that time was Waylon Reavis who was recruited by Mushroomhead to take the place of J-Mann (aka Jason Popson) who had announced his departure from the band. After starting all over, they finally found a vocalist that suited their style of music. Jason Sain started with the band in late 2007. In 2008 they recorded “Between Angels & Demons” with producer Jamie King of ‘Between The Buried & Me’, ‘The Human Abstract’ fame. In late 2009 they signed with indie label ‘Project Alpha Music’ and released their latest effort “Once Upon This Broken Glass” in March, 2010.
The lead single, “The Unknown” is off of their new CD “Once Upon This Broken Glass. It about loves someone who doesn’t love you back. This song has many melodic sections to it. But when you hear the change ups which are dynamic, it sets a tone of a story being told through 3 degrees of separation. These three levels are clearly defined and portrayed beautifully by the talents of these individuals.

 

WITCH MOUNTAIN

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https://www.facebook.com/witchmountain

http://witchmountain.bandcamp.com/

Uta Plotkin – Vocals
Rob Wrong – Guitar
Nathan Carson – Percussion
Neal Munson – Bass

In 2009, Uta Plotkin added her voice to Witch Mountain in front of a triumphant sold out crowd at Portland, OR’s venerable club Satyricon. Supporting Pentagram—East coast godfathers of American doom who also took far too long to receive their rightful due—Plotkin brought the necessary ingredient that Witch Mountain founders Rob Wrong and Nate Carson had been seeking since they initially formed the group back in 1997.

Originally far out of step with the lazy, indie-rock scene in Portland, guitarist Wrong and drummer Carson sought to put their own stamp on the tradition of doom metal as laid down by Black Sabbath, Candlemass, Trouble, and Saint Vitus. Years of road work in support of peers such as High on Fire, Spirit Caravan, Electric Wizard, YOB, Weedeater, Eyehategod, and all the rest had granted Witch Mountain a solid footnote in the history of one of music’s heaviest genres. And though real life careers took the band largely out of commission between 2003 and 2008, Plotkin’s emergence kicked the band back into a high gear that shows no signs of waning.

With renewed vigor, WM returned to the studio to capture the long-awaited sophomore album South of Salem. Produced by master “engine-ear” Billy Anderson (Sleep, Neurosis, Melvins), the record was self-released by the band on vinyl, and shortly thereafter recognized as the “#4 Best Metal Album of 2011” by NPR. With a SXSW showcase, west coast tours with Christian Mistress and Wino project Premonition 13, and a massively downloaded Adult Swim compilation under its belt, Witch Mountain proved its modern work ethic and soon signed up with dream label Profound Lore.

Once South of Salem was unleashed on CD and properly distributed, it was time to follow up with all new material. 2012’s Cauldron of the Wild was the answer, produced once more by Billy Anderson, and this time featuring a further matured sound and more immersive influence from Plotkin. Rob Wrong was writing the best, heaviest blues-metal he’d yet conjured, and Carson–as both manager and booker–kept the band grounded in a professional DIY ethic. New bassist Neal Munson fit like a glove, and overall the group has never fired on all cylinders so successfully.

 

 

you know you wanna listen…

the Hellion

 

GUITARIST JOE HOLMES!

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Joe26

https://www.facebook.com/pages/FARMIKOS/148649605284041

http://www.farmikos.com/

     Joe Holmes, in my opinion, is a highly overlooked player. The man took lessons from Randy Rhoads in the late 70’s, was a member of Lizzy Bordin, replaced Jason Becker in David Lee Roth’s band when Jason was diagnosed with ALS, and filled in for Zakk Wylde in Ozzy’s band. Here is a video for “Mr. Crowley” featuring Joe Holmes on guitar:

     Now Joe is back with a vengeance with FARMIKOS. I have heard one track and I must say I am blown away. According to the FARMIKOS Facebook page Joe has been working with vocalist Robbie Locke and had guests like Robert Trujillo and Brooks Wackerman, and song writing contributions from Brent Hoffort.

     Be sure to go to the Facebook page and give them a like: https://www.facebook.com/pages/FARMIKOS/148649605284041. I f you want to hear a sneak peak of the record there is a song streaming at the official website at: http://www.farmikos.com/

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Really looking forward to this one!

the Hellion

BABYJANE – MAKE IT SICK!

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     http://www.facebook.com/pages/BABYJANE/110902428925603

http://www.babyjane.com.au/

Babyjane – Australia’s rawest and explosive hard rock act – have come out of the rusty gate with all guns blazing…

Andy Smith (no singer comes closer to the swagger of Jagger and the presence of Plant than THIS one); John Gerasolo (rock’s next guitar hero — forget the Top Hat); Paul Judge (a snarling Sid Vicious who can really play the bass) and Nik ‘Animal’ Kats (the bombast of John Bonham meets the terror of Tommy Lee) unleashed their debut scorcher Are You Listening in 2011. Mixed by famed American producer Michael Wagener (Metallica/Janet Jackson/Ozzy Osbourne/Extreme) it features 11 tracks of hard rock at its absolute best (including ‘can’t stop singing it’ classic Can You Keep a Secret?)

A rousing support gig with Skid Row’s Sebastian Bach in Perth (2008) left the word on everyone’s lips that ‘Babyjane are the band to watch’. Recently, they have gone from strength to strength – securing airplay on American radio, global release of the album, a week-long prime-time spot on WA’s number one radio station 96FM and over 5000 Youtube views of their video single (Are You Listening).

Now, Babyjane have stepped it up a notch. 11 track second album, Make It Sick, was recorded in Nashville, 2012 with Michael Wagener handling production duties from start to finish – the end result is what one industry-insider has described as “the most balls-to-the-wall rock album since Guns n’ Roses Appetite For Destruction”… with one-time Motley Crue/Union singer John Corabi making a rousing appearance on the title track.

Corabis’ appearance alone reached first-page news on rock website Blabbermouth.com and unprecedented attention on Google.com in June. Featuring a sound only a world-class producer can muster, hugely commercial tracks like Bad Woman and She’s Just A Liar, and a well-oiled 4-piece band behind it, Babyjane are ready to step into the big league.

Road-tested and set for world domination, Babyjane are just gathering steam. Are you listening? You soon will be…

Here’s the video for the new single “She’s a Liar”:

Full review of the of the record SOON!

the Hellion

HAPPY BIRTHDAY OZZY! 12/3/12

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On this day in 1948 the Rock Gods blessed the earth with John Michael Osbourne. They tested him thoroughly with things that would have surely killed a mere mortal. Yet he withstood all that was thrown at him. Yet, all of these trials had transformed him, remade him, and thus OZZY  arose from the man that was John Michael Osbourne. OZZY gathered the musical forces to him and gave to the ears of the world BLACK SABBATH. The power of OZZY quickly grew and he needed to empower other musicians and he left BLACK SABBATH in order to gather young musicians and take them under his “wing”.

Thank you OZZY! Thank you very much!!!

We truly hope you never stop!

the Hellion

ANOTHER MUSIC LOVER – ISH GARCIA TALKS ABOUT HIS LOVE OF MUSIC AND FAMILY

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I have a good friend who truly knows the meaning of family, Ish Garcia. This man sacrifices for his family by working out of the country to earn a living in this hard economic time. When he does get the opportunity to spend time at home he makes the best of it by giving back by sharing his passion for music with his family. I truly believe in the healing power of music as does he, Ish uses the power of music to help his autistic son “Matt The Cat”. I got Ish to take some of his rare time to answer a few questions:

1. When did you first fall in love with music?

Ish: I have always loved music, since a baby , really. In love, maybe after I heard and bought a Hendrix album Axis Bold As Love, after that ,I realized I couldn’t go a day without some kind of music.

2.  What is it about music that touches you?

Ish:  Music just gets inside,- lyrics, rhythm, it just depends on the song.

3.  What do you do to support you favorite bands?

Ish: Support ?- Buy the Album-whole album , not just the one you like on the radio, buy the album that’s why they made an album,I’m pretty sure the song are strung together for a reason. Also, buy a shirt, usually bands I like /love have cool merch for sale. Buy a ticket for the show and see ’em live!!! Share that shit with all your friends. Hope fully the small bands you like will make it, like Guns N’ Roses or Alice in Chains, Pantera , they all started doing small gigs and then bang, I would like to witness it first hand.

4.  Tell us about some of your favorite bands and your passion for music.

Ish: Jimi Hendrix – Guitar god great lyrics, His cover songs are better than the originals themselves-in my opinion Black Sabbath-Ozzy and Dio for me undecided…,c’mon its Sabbath, need I say more Ozzy-its like crack for my ears Zeppelin, to me its real rock n roll to me a blue print of what rock and roll should sound like. Alice in chains-Lyrics, the sound of Layne and Jerry together , chunky riffs.What is grunge ? Black Label Society-Everything I love all rolled into one-Doom, chunky riffs-blues, melody To me music is magical or spiritual and powerful, its in the air ,it’s a time machine. even when you cant see it, you can feel it, it can make you feel strong when your weak, inspire you, calm you down. I believe music is a super natural living thing, a gift to us. I couldn’t see a world without it. My wife is the one who really introduced me to Alice in Chains, and I’m so grateful. And as far as BLS, I gotta hear at least one song a day, and I have to blow out my ear drums with it.

5. Tell us a little about “Matt The Cat”

Ish: We took him to his first big( not local) concert and meet n greet. in 07 velvet revolver he loved slash from rock band. and then liked guns and roses, they were all cool to him, he got Duffs sweat band at the end of the show. I notice a big difference with Matt when we go to Black Label shows in particular, he’s dressed like everyone, so he feels “in” and true BL family show him respect. He loves the music , he gets exited when we tell him Black Labels in town. He can act like himself without being judged. Taking him to the meet n greets and concerts and seeing him be happy is priceless.

Thanks Ish, you have my utmost respect and love.

the Hellion

WHO WANTS SOME WAH???

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One of my favorite guitar effects is the wah pedal.

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We all know and love the work of the man Jimi Hendrix. His use of the wah pedal set the bar for guitarists to come. So let’s look at some of the standouts:

 

Zakk Wylde on Ozzy’s “Gets Me Through”

Zakk has carried on the torch of melodic playing yet with brutality. His use of the wah in this makes this song stand out as one of Zakk’s best.

 

Jeff Beck on Jeff Beck Group’s  “I Ain’t Superstitious”

Jeff takes a classic blues song and makes it magic. Slow down, put on some headphones and just listen to the magic.

 

Dimebag Darrell on Pantera’s “A New Level”

I couldn’t leave the man off of this list. Listen to the artwork in this track and just smile in its glory.

 

Jimmy Page on Led Zeppelin’s “No Quarter”

The haunting music in this track is very well suited for Jimmy’s use of the wah. This one has taken me to far away places in my mind on many occasions.

 

Slash on Guns N Roses’s “Sweet Child O Mine”

Slash is one of my favorite guitarists plain and simple. Listen to the swagger of this song and get it all over you.

 

 

This list is by far incomplete. There are so many more to listen to so help me out!

the Hellion

 

 

JOHN 5 – A GUITARIST FOR THE NEW AGE

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A lot of people have recently become aware of John 5 through his guest appearances on That Metal Show and as the guitarist for Rob Zombie and Marilyn Manson. His career however, is quite impressive. He has done studio work with Matt Ball, Avril Lavigne, Rob Halford, k.d. lang, Garbage, Meat Loaf, Scorpions, Ozzy Osbourne, Slash, FeFe Dobson and has written and recorded with southern rock band Lynyrd Skynyrd. One of my favorite projects he has done was RED SQUARE BLACK. Featuring: Mark Binder – Vocals, John Lowery (later to become John 5) – Guitar, Randy Castillo – Drums, Angelo Barbera – Bass they released one EP in October of 1994 entitled “SQUARE”.

 

With tones of metal, and industrial this band was ahead of its time. Sadly they only had the one release and the members moved on to other projects. Here’s a listen to “Violent Pause” from the EP:

John 5 also co-wrote  “The Monster Is Loose” with Nikki Sixx and Desmond Child for Meat Loaf’s 2006 release Bat Out Of Hell III. 

 

Currently John 5 is playing with Rob Zombie, a new record and tour are in the immediate future. Here’s “Foxy, Foxy” from the 2010 release Educated Horses:

 

John recently released his sixth solo record God Told Me To on May 8th of this year.

 

A great release full of smoking and innovative licks I HIGHLY recommend getting this. Here is the video for “Welcome To Violence”:

 

If I had to sum up John 5 in one word it is, AWESOME!

 

the Hellion

 

 

PHIL SOUSSAN – A ROCK LEGEND SPEAKS

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     We got ROCK LEGEND Phil Soussan to get with us on some questions. You know him from his stellar bass playing and songwriting with the likes of Ozzy Osbourne, Billy Idol, Vince Neil, Johnny Hallyday and John Waite, as well as a membership in Beggars & Thieves. Soussan has also played in bands featuring Jimmy Page, Steve Lukather, Edgar Winter and Richie Kotzen. Let’s check out his interview:
     I am thankful to my mother for being instrumental in exposing me to various forms of music. Was there someone who opened your ears to music?
     Phil: Yes, my Mom used to play the radio all day and sing along to songs. I was bought a kid record player at about 4 years old, and I used to sit in front of it changing records and singing along. About that time, my Mom’s musical cousins – two brothers who played just about every instrument, bought me a real 1/4 size acoustic guitar. The rest is history!
      When was it that you decided to learn music? Were you formally educated or self-taught?
     Phil: Both. I was self-taught on the guitar, melodicas, recorders – anything that made a sound! At about 8 I started taking proper recorder lessons and at 11 began classical violin and music theory studies.
      I think all of us at one time cranked up some music and played air guitar to our heroes music, what were some of the bands you jumped around in your bedroom to?
     Phil: The Carpenters… NOT!!   David Bowie, T-Rex, Sweet, Slade, Queen, Led Zeppelin, Deep Purple, The Move, Wizzard, the Yardbirds, the Stones and of course the Beatles – all of these the first time round!
      What were some of your early bands experiences? Did you take any lessons learned from those experiences and they are still relevant to you today?
     Phil: I had a lot of American friends growing up in London and they placed a lot of importance on the quality of sound and their technique, compared to UK musicians that were not very polished. I started to practise a lot by watching in the mirror and I was able to see my technical faults better.  I knew how it should look. I still do this today.
      I’ve talked to a lot of musicians who have been “starstruck” by other musicians, has that ever happened to you?
     Phil: Very few times… when I first had a chance to meet Jimmy Page, once I got to know him the familiarity kicked in and we became friends.
      If there was any performer alive or not you could work with who would that be?
     Phil: Elvis during the Sun Sessions era, Hendrix, Zeppelin during the LZ III years.
      I love the idea of one-off “supergroup” projects, what would your ideal project be?
     Phil: Big Noize with Sebastian Bach!
      Is there a singular moment in your musical career that you are most proud of?
     Phil: Walking on to the Stage at Wichita for my first US gig with Ozzy, and at Donnington in 1986.
      I love your solo work and have a copy of “NO PROTECTION” can you tell us about the CD?
     Phil: Thank you! I played and recorded virtually all the instruments on the record. I wanted to do a record where I performed and arranged the entire record. I first heard McCartney do it with “Maybe I’m Amazed”  and I wanted to try the challenge of doing it myself. It was tough but I learned so much about imagining arrangements in my head. Some people think it’s because you want to be able to control everything, but it’s not. I think I wanted to do it is because I wanted to really get inside of music, from every perspective. And it was very difficult to do. But when you come through it, you are a better musician for it: you understand arrangements better, you understand all the instruments better. It takes four times as long to change one part, and I don’t have three other guys to say, “Hey, let’s change this”. I had to change it, record it, change that, record this, and then listen and realize, “No, it’s not working. I think I’ll do something else”. But what I got out of it was a sense in my head that, when I hear an idea now, I can imagine exactly how it should be arranged. And that’s something that I was not doing very well before. So it’s an amazing exercise. My last album “Vibrate” was fun to do but it was what I would call a compilation, a compilation meaning songs one written there, one written here, one written there, and every song put together into a collection written over a long period of time. This album was written at one time from beginning to end, all songs written around the same time, and there’s a thread of continuity that goes through it. As I started recording it, I was in my studio and I started coming up with arrangements.The record itself is really a snapshot of my life at the moment, at a point where I had to go through a lot of realizations and changes in the you cannot stop life from taking its course.
Here is “Free My Soul” from NO PROTECTION:
      Are you still involved with the Grammy’s and how did that come about?
     Phil: Yes, I am Vice President. I have been a member for many years and about 6 years ago a put myself on the ballot to run as a Governor, which I did. I wanted to find a way to give back to the musical community and the Grammys was the best way. I became involved in advocacy issues, fund-raisers for MusiCares and education issues. I wanted to do something for MusiCares as they were the entity that did so much for by best friend Randy Castillo when he became so ill.
      What does the future hold for you? New recordings, touring, etc….?
     Phil: All of the above, We just got back from doing a festival in Bulgaria with Big Noize and we had a change of singer from Joe Lynn Turner to Sebastian Bach; it was awesome and we are now looking to book more shows with this line up.  I really want to do more shows out of the Los Angeles area with my solo band doing material from this new album and some of my other hits written for other artists, but it is proving difficult to tie down local promoters as most of the agents are closed off to new projects. Maybe I shall try to approach local venues myself.
 
       If you were asked to give a lecture to musicians looking to start their careers, what advice would you have for them?
     Phil: Ask yourself if this is really what you want to do and if it is then go for it, never say die and never give up.
      What era appeals to you the most and why is that?
     Phil: The era before digital music – I loved making records and selling records was the way in which we made our money. Today everyone feels that music should be free and it has become such a s challenge to be able to pay your bills and continue making music for people with no income. It is not as if recording equipment manufacturers give you free equipment!
      Being a veteran of the music industry what are your thoughts of the sate of things today?
     Phil: We are getting back in to the T-Shirt business. We use music to invite people to a gig and if you sell them merchandise then you walk away from the deal with some income. If not then you come up zero.
      If we were hanging out and I plugged your MP3 player into my stereo would I be surprised at what was on it?
     Phil: Just a varied assortment of music.
      This last one is open, tell us anything you want to:
     Phil: Listen to my record, enjoy the songs and if you like them please join my mailing list at www.philsoussan.com and write! I try to reply to everyone as much as I can. Please follow me on Twitter at @philsoussan and although I have a Facebook “page” I am not on Facebook anymore – I hate Facebook as I don’t know anyone on it who is not made miserable/ jealous or had their friendships and relationships compromised… and I want to make people feel good – My music makes people feel good!
     Thanks so much for considering this. I know there are some questions you have answered a million times over the years, I’m just hoping to bring them to a new audience!
     Phil: You’re welcome!  Rock on!
Let me know if you are tied in to any local promoters or radio stations and perhaps I can arrange to come out to NM and do some shows!
     Phil
     Thanks Phil!
     I am gonna leave you with Phil’s version of the classic “Shot In The Dark”:
     the Hellion

THE GUITARISTS OF OZZY

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I often wonder if Ozzy himself reflects on his history of guitarists. I know I have on several occasions. I have also wondered about other guitarists and how they would have fit in Ozzy’s band. Let’s look at the history of Ozzy’s guitarists and then we’ll imagine some other players and see what we think.

RANDY RHOADS 1979 – 1982

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Blizzard of Ozz (1980), Diary of a Madman (1981), Tribute (1987)

Any fan of Ozzy knows of Randy. When the world first got their ears filled with the sounds of Randy’s guitars they knew everything had changed. It is in my opinion that Randy changed the game forever.

“Crazy Train”  -Randy version

BERNIE TORME  1982

No albums made with Ozzy

Bernie was the immediate successor to Randy following his death. Big shoes to fill as he was hired to play makeup dates,  and he was playing through Randy’s gear, AND he had to learn all of the songs in a week. Bernie only stayed on tour for three weeks before leaving to form his own band.

“Crazy Train” – Bernie version

BRAD GILLIS 1982 – 1983

Speak of the Devil (1982)

Brad came in following the departure of Bernie. He filled in and recorded a live album with Ozzy before leaving for Night Ranger.

“Crazy Train” – Brad version

JAKE E LEE 1983- 1987

Bark At The Moon (1983), The Ultimate Sin (1986)

Jake E Lee was in the running with George Lynch for the coveted spot. He obviously won out which I think was good move for Ozzy as Jake seemed suited for his band. We got some good songs from the Jake E Lee lineup as well.

“Crazy Train” – Jake E Lee version

ZAKK WYLDE 1987–1992, 1995, 1998, 2002–2004, 2006–2009

1988: No Rest For The Wicked, 1990: Just Say Ozzy (live album), 1991: No More Tears,  1993: Live & Loud (live album),  1995: Ozzmosis,  2001: Down to Earth,  2002: Live At Budokan (live album),  2007: Black Rain

Zakk Wylde (he seems to make a lot of my blog posts) was, in my opinion, Ozzy’s strongest guitarist. The successful period with Zakk cannot be ignored. The writing combination of Zakk/Ozzy made some of the most memorable in Ozzy’s career.

“Crazy Train” – Zakk Wylde version

STEVE VAI 1994

No recordings

After one of Zakk’s departures Steve filed in temporarily for Ozzy. Vai began writing and recording with Ozzy Osbourne. One track from these sessions, “My Little Man”, was released on the Ozzmosis album. Despite Vai penning the track, he does not appear on the album.

No video found.

ALEX SKOLNICK 1995

No recordings made

Alex had a brief stay in supporting Ozzy and not much else was done other than that.

“Crazy Train” – Alex version

JOE HOLMES 1995–1998, 1999–2001

Song “Walk on Water” From Beavis and Butt-Head Do America Soundtrack (1996)

In 1995, after Ozzy Osbourne had finished recording the Ozzmosis album, a replacement for Zakk Wylde was needed for the tour. Joe got a call from Dean Castronovo (Oz’s drummer) to let him know they were seeking a guitar player. Joe went down to Audible studios in Los Angeles and played three Ozzy classics.  Holmes did not mention that he had taken lessons from Randy Rhoads as he thought it would hurt his chances at the job.

“Crazy Train” – Joe Holmes version

JERRY CANTRELL 2004–2006

Under Cover (2005)

Jerry did Ozzy’s cover album for him and it was a damn fine job. If you haven’t heard it you should definitely check it out.

No video found

GUS G 2009-present

Scream (2010)

Gus was brought in when Ozzy and Zakk parted ways. Ozzy was trying to get away from what he perceived as a blurring of the lines between himself and the BLS sound. We shall see what becomes of writing future records with Gus. More power to him!

“Crazy Train” – Gus G version

Whew! What an impressive list of players! But what if Ozzy had tapped Dime, EVH, Herman Li, Buckethead, John5, or DJ Ashba? Something to think about…..thanks for playing!

P.S. thanks A.J. Greene

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the Hellion