MY 100TH POST! ON MY BIRTHDAY, MOVING FORWARD TO THE FUTURE!

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As I sit here pondering my 100th post it comes to me. Why I do what I do. There are some extremely wonderful bands out there that really have no outlet to be heard. Why is this? What can be done? How can they be heard? By us the bloggers and internet radio hosts, the internet video shows. We can can herald their cause. By us telling our peers, sharing their music on our sites, telling our friends, going to their live shows, posting their videos, and taking the time to interview them and hear what THEY have to say. I come to know a lot of these bands and they are hard working, genuine people. They usually are barely scraping by by selling their merch. I try to buy their stuff at every turn. Corporate radio and TV might not support them but WE will.

One other thing I am passionate about is not losing touch with music of the past. As with newer bands, there is really no outlet for a lot of bands from the past. So much great music has been made already. But when their marketability starts to lack they are cast away for the next big thing. By listening to these bands we keep them alive. As with the younger bands we need to support them in the same way and NOT LET THEM GET LOST!

I will leave you with this and go now to enjoy my birthday evening. ROCK N’ ROLL WILL SURVIVE!!!

the Hellion

NEW VIDEO FROM BEARD- “AMP WHORE”

http://www.facebook.com/beardisbullshit

Congrats to Albuquerque NM band BEARD! Their new video kicks ASS!!! Check it out:

STEVIL HELMER – A MAN WITH A MISSION

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I have been getting to know Stevil recently. I have found him to be a very interesting and kind person. We are in tune to a lot of the same things. I would like you to get to know him as well. Let’s see what he has to say:

As a child music was always an important part of my life and a constant friend, tell us a little about how music entered your life.

 Stevil: My Dad got a 58 Kay Acoustic for a wedding present in 1965, he really wanted to play guitar but finding the time was hard since he was always working. In 1971 when I was five years old he taught me “I Walk the Line” from Johnny Cash. I think it wasnt just that song but the profound lyrics in that song really meant a lot to me. Here I am 41 years later still playing the guitar ! That many years of pickin’ and a grinnin’ would be a novel. There isn’t much I havent played in all those years. I’m known for playing metal because I’ve been playing metal since 1982 live but I’ve jammed in a lot of different types of bands from rock to reggae to outlaw country to blues to metal. Cover bands included. It’s all influenced me. Listening to a lot of music is important to I think. I love bootleg live recordings and the more raw the better ! Both of my little brothers jam and my mom plays hand bells in the church handbell choir. It’s safe to say I knew I wanted be a musician since I was five years old.

My mom was always exposing me to new artists as a child shoe I would cite her as my biggest musical inspiration as a child, who was your biggest musical inspiration in your youth?

 Stevil: JC is always be on that list but Roy Clarke really has a place in my youth for sure. He was so fast ! I always loved his banjo playing too. Hee Haw was a regular thing in our house growing up in Sun Prairie WI. I basically grew up in a corn field. Hendrix really played a large part. The Beatles Complete was one of my first music books. Sabbath turned it all metal for me. Master of Reality in particular. I liked raunchy bands. Areosmith and ZZ Top. I grew up in the 70s so all of those bands from that time.

Most people never get beyond the dream of being a musician phase, why did you choose to start playing music?

 Stevil: Oh I definitely started playing music because all the girls loved musicians hhaha…um Music was the escape. A form a meditation for me really. I used to spend a lot of time in music books but now I mostly play a lot of blues when im just sitting around the house.I’ve always believed “feeling” the music was really important. There are two kinds of musicians I think. One kind reads a lot of books. The other kind is trying to write their own book in their own words. I’m the second kind for sure. Writing songs every day is important to me. I’m always trying to out do myself and play every style of music I can. I love hybrid picking. Steve Morse is a master of that.
Some people never get the chance to have music lessons, did you have any formal musical training?

   Stevil: Betty Scrivner was my 7th grade guitar teacher, studied with Richard Farber in WI who is a classical guitarist, Timothy Ball in Ventura CA from the Tempo Cats is a big influence too. He plays latin jazz and blues. I’ve jammed with anyone who would LET me jam and in always jamming with a ton of other players I learned a lot !. Troy Stetina books are cool. Mel Bay. There are so many great players out there no one ever heard of but they have great skills and insight into songwriting that can be learned just by watching them and listening carefully. I love go to really small bars and watch local bands play. Some great players are found playing to 10 people every Saturday night. It’s a lesson in itself every time to see any live show really.Watching fingers and listening carefully. Somewhere along the way I became more concerned with the song than the guitar solo. I love the solo for “Sympathy for the Devil” by the Stones but the song is awesome too. A great solo wont save a poorly crafted song ever..so writing the riffs was more important. The goal is always to serve the song, not myself.

The path of being a musician is full of lessons. What are some you have learned in your early bands?

 Stevil: I don’t drink booze at all anymore. The greatest lesson I learned was drinking way too much at rehearsals was a party and not a rehearsal at all. I don’t have anything against people who drink but I know focus on music can’t be obtained very well after consuming a fifth of Jack Daniels. Safe to say I partied hard back in the day haha…now I just practice hard ! I also learned playing in as many bands at one time is good too. Things fall through, people change and give up. I always want to play music so I have several bands going on at once to make damn sure I’m always jamming ! The best lesson for me is to always practice 4-6 hours a day like religion. I’m convinced no-one becomes a better musician just by talking about it but rather just doing it !

If you could write/perform with any musician from history who would that be?

 Stevil: this is an easy one. Kirk Windstein for sure. Kirk has written some of the most bad ass riffs of all time in my opinion. It’s not just the riffs either, it’s the content of his lyrics that have carried me through some very tough times in my life. He writes about strength to over come the pain life throws at us all and the courage to carry on no matter what curves come our way. It a very positive thing. 20 years ago when I first started listening to him that’s when I started tuning my guitars way down too. I tune to B now on a six string….it all began with listening to very old Crowbar records.
     I know you are a producer, if you could produce for anyone who would you love to work with?
     Stevil: Randy Cooper is a favorite guitarist Id like to work with. Aside from working with him I really like to work with bands no one ever heard of. They will send me mp3s of horrible recordings BUT I can hear they write great songs ! A bad recording of great song ? is still a great song !!!!! I spend a lot of time answering email questions from unknown bands and do that for free. It’s a “pay it forward” sort of thing for me. I wish i had me 20 years ago so helping up and coming and struggling bands to get a little further down the road is always my goal. I’ve never been sorry I got an engineering degree from MMI. I’m not the worlds greatest engineer but I’ve been playing music forever and ever so I think that helps to find taste in sounds and production. I’m very fond of rockin’ raw recordings that aren’t too over produced. The first Down record sets a standard for me. It’s an awesome and very real recording of what the band actually sounds like ! It still got a little modern feel to the mix though in contrast to old Sabbath recordings.

I have been listening to a lot of new bands, are there any  who have caught your ears?

Stevil: I’m a big Crowned By Fire fan. Justin Manning is the guitarist and has some serious skills. I’m digging All Hail the Yeti,Double Wide out of Ireland, Jon Joe rocks !. Doomdogs in Sweden, Christer has been a friend for years, and the new Klank record is super creative too. Klank has a guest appearance on his new release from Dug Pinnick from Kings X by the way. All these bands are friends except I don’t really know All Hail the Yeti at all….im just really digging what they are doin’ ! It’s a pet peeve of mine when musicians wont acknowledge the greatness of other players. I’m anxious to hear the solo records from Tony Vaughn and the project my buddy Kurt Arft is doing too. I’m sure they will both shine ! I am in awe of these bands mentioned and have great respect for their abilities ! Haters are really just the village idiots…ya know ?

I f you were hired to give a lecture to young musicians trying to break in to the business, what advice would you give them?

   Stevil: Invest your OWN money. Invest your OWN time and keep both eyes on the money at all times. Always be cost-effective and never waste money if you don’t have to. best advice ever. Once a band loses control of its assets ? they lose control of the profit too. Just my opinion but I live by it these days. Income for a business is directly related to advertising. Bands can buy their own advertising ! there ya go ! pretty simple ! The minute you let someone else put their hands in the cookie jar ? more often than not they take the cookies and the whole damn jar for themselves ! So protect your shit at all costs. The other thing is ASK ! No band has anything to lose just by ASKING for interviews, reviews,shows, and publicity. Be nice and ask nice. Most of all have genuine appreciation for your fans. I spend hours every day just talking to fans…some of the greatest people on earth ! the fans make the band famous. for sure ! No label ever made a band. THE FANS did ! best advice: love your fans like they are family.

Do you listen to music that would seem “outside” of your genre?

     Stevil: I’ve listened to every thing under the sun. Ive tried to play it all too. I wont say im a master of any genre but being a swiss army knife never hurts. im not a big rap guy. everything else is listenable to me though as far as genres go. I may listen to Norah Jones on Sunday morning and Slayer on Friday night. I’m not always pissed off ya know ? sometimes im happy. I love the Presidents of the United States. good happy jams ! Monster Magnet..you get the idea. I started re visiting all the old country I listened to when I was a kid because of him and his killer banjo playing. It’s not outside my genre though. Its my roots ! I even recorded a version of “I’m so Lonesome I could Cry” from Hank Sr. Its on the Hillbilly and Helmer Project. Some of my best guitar playin’ I think. All instrumental version..Old country is something most folks can’t really see me playin’ but I did it for ten solid years of my life BEFORE I played metal. It’s all a part of who I am.
The floor is open, discuss what ever you want:

     Stevil: In our third year of doing a huge metal show for animal rescue for Villalobos and Texas. This show takes at least fifty people who all work together to make it happen. Dallas Texas bands donate their time and music to play this show. It truly means the whole world to me. It all began with me and my dog Ace who is a pit bull. Now thousands know about the show. So please take a moment to go support this page. A very special thanks to my great friends Lindsey Thompson and Starla Biage at Turning Key Productions ! The show would never ever be what it is today with out those two ! IN THE PIT FOR THE PIT III HERE: https://www.facebook.com/events/371403499594386/

I really want THANK YOU for doing this interview and for supporting music in general ! Id like to add that its awesome that you have two rescued Pit Bulls of your own ! Your support of the show is very greatly appreciated too!

Thanks for the kind words and giving us some insight into your world. Keep your ears open for Stevil and his multitude of projects.

 

the Hellion

 

 

 

I’M TATTOOED AND PROUD

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I am heavily inked, I am a loving husband, caring father, and a productive member of the workforce. I vote, pay my taxes and am charitable when I can be. I love and support this page on facebook:

TATTOO ACCEPTANCE IN THE WORKPLACE

ABOUT: Our goal is to take away the stigma attached to people who have tattoos in the workplace. Tattoos are art. Some of us have chosen to express ourselves not with vibrant shoes, or a colorful tie, but with body art. What is the difference?

http://www.facebook.com/ThINKequality

the Hellion

BLEACH BANGS – 09/18/2012

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DIMEBAG – MY THOUGHTS

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I remember in 1983 a friend of mine told me about a band he had seen called Pantera. He said the guitarist “Diamond Darrell” was “out of this world”. I remembered the name but never heard anything more about the band at the time.

1990- I turned on the radio one day and heard a song that blasted through and hit me like a ton of bricks. “Cowboys From Hell” totally crushed me! I found out the name of the band was Pantera. Hmmm??? Could this be the same band I heard about several years ago? It was, and I understood what my friend had meant. “Diamond Darrell” and Pantera became one of my new favorite bands. I bought “Cowboys From Hell and played it over and over. Cherishing each brutal song as they burned into me.

1992 – “Vulgar Display Of Power” continued the onslaught, I was telling everyone and anyone about Pantera! The songs remained true to the name of the record and “Diamond Darrell” was burning up the strings.

1994 – Pantera continued to evolve as did “Diamond Darrell”. I do not know the circumstances but he had morphed into “Dimebag Darrell” with the release of “Far Beyond Driven”. The aggression continued and the guitar work became even more amazing (yes it did!) I was sure that Pantera was going to change the face of Rock N’ Roll and I championed their cause.

1996 – “The Great Southern Trendkill” gave me my favorite Pantera song to date. “Floods” (in my opinon) was Dimebag’s best work EVER! If there are any doubts check it out here and get back to me and we can discuss it:

2000 – “Reinventing the Steel” gave me more ammunition to carry on the fight! This band was going straight into the halls of Metal Icons from my past. I knew that I would forever sing the praises of Dimebag’s playing. And then…..Pantera was no more. I was crushed.

 

2003-  Damageplan! Well alright! Dime was back! My guitar hero was back! I eagerly listened to this album and was happy! “Reborn” (featuring Zakk Wylde!!!) was never a truer song!

 

2004-  December 9th – I was at work, it was early in the morning. I  had stepped outside to receive some materials when I received a text message from my then fourteen year old son. “Dad, did Dimebag get killed?” WHAT?!?!?! I had heard nothing at this point. I made some phone calls and it was true. I was horrified at the thought. Another of my favorite musicians had been taken from us. When I heard the details of his murder I was sickened. WHY?!?! I will ALWAYS wonder why?

 

2012- I still listen and try to turn people on the music Dime created and left for us. He remains now and forever one of my favorite guitarists. Thank you Dime for the music and for giving all you had.

 

Dime and his brother Vinnie did a cover of one of my favorite Ace Frehley songs “Fractured Mirror”. You can just feel the emotion in this fitting tribute to one of Dimebag’s heroes.

the Hellion

P.S. this post is dedicated to a young music lover who has parents who care enough to share the healing power of music with him – “Matt The Cat” this is for you!

 

ARE YOU READY FOR MESSIAH SIN?

     One of the problems in the music industry today is there really are no outlets left for a newly formed band to have a voice. That is one of the things that I want to help with here and in our related video show Rock U-Night (http://rockunight.com/).
     I heard of Messiah Sin, a band still in its formative stages and decided to interview them and give them a taste. Hopefully they will be helped by others who have been there before as they journey down the path of being a Rock N’ Roll band. Let’s go and meet Messiah Sin.
     Tell us about  some of your earliest musical favorites and how and why you ended up choosing Hard Rock/Metal.
     MS: For me (A.j.) it had to be when I heard Green Day for the first time on the radio when I was at the tender age of 11 They stayed my favorite band for around 2 years, then I found Metal, specifically the Master of Puppets album by Metallica, heard Battery, ripped me a new ear hole, loved every second of the blistering speed and harsh vocals. After trying to be such a punk like I viewed the Green Day clan, I thought to myself, this metal thing could really be me. And ive been a die-hard metal fan ever since. Now Mr. Dirzuweit, he was fed Metallica and Rob Zombie for breakfast by his tattooed and jail-bird father. He knew how to be hardcore before he even knew how to walk right or potty trained (he’s still not potty trained haha!) and I believe metal and music came a bit weirder for ole Chandy, he picked up music like your everyday average high school goer did, by the marching band, he plays the set of snares for his school band and I suppose he just transferred that know how to his ravaging and devastating pig skin pile he’s got now.
     You fell in love with the harder side of Rock, now which artists lit your soul on fire and influenced you further?
 
     MS: Our major influences are rather cliché yet make us unique because of our influences different sounds. My major guitar influences are most definitely Kill em All era Kirk Hammett, then the modernized sound of Alexi Laiho from Children of Bodom to the faster Kerry King and back down country lovin’ bluesy metal of Mr. Wylde himself. Jonathan D. gets his inspiration from different eras of different artists. When I ask him to sing a little Barbie Girl for me, however, he tells me to fuck off. haha. Though he does tend to stick around sounding like (but not limited to) …And Justice For All era James Hetfield, and then the darker side of Ozzy sometimes, like can be heard in the song Junkie. Then we have ole Mr. Hogan, drumming it up by the likes of Mr. Vinnie Paul taking a tea break with Lars Ulrich being served by Jon Bonham, he has such a groovy yet thick and primal tense way about his drumming art, its hard to pin point what he’s taking his advice from today. haha.
     How did you end up choosing the instruments you play?
     MS:  I chose the guitar because no, I didn’t want easy chicks, no I didn’t want the fame and fortune, I wanted to be able to reach out to people and make their day better by simply doing what I love doing you know? Because when I was a smaller child and I was being taunted, Metallica never called me names, when I was having a bad day, Black Label Society always knew just what to say, and when I was lonely, Randy Rhoades had his touching solo to Mama I’m Coming Home to make me feel like he was there. And I wanted that for other people. For Jonathan, I was always his sort of body-guard. He’s older than me but when he was getting picked on, I stepped in to help get those dick shovers away and keep my buddy safe, he picked up the guitar because I think he felt the way I did you know? And as for the singing, well, that just came naturally, though we didn’t find out it came naturally untill we got drunk one night, then it just kinda stuck. We call him Mr. Pipes. haha. And as for the skinsman, ole C-daddy P he was pretty much required to be a nerd and join the school band, got rebellious, started listening to metal, and transferred the knowledge haha. It’s not like a drummer is going to change the world eh? haha He is the driving force of the band though. He creates the oddest stuff for my riffs that you would never think would fit in a million years and it does perfectly, he definitely separates us from a lot of people I think.
     For fun I often discuss with others “dream band” lineups. What would one of yours be?
     MS:  Our collective dream band line up stands as follows:
  • Rob Zombie vocals
  • Zakk Wylde L.G.
  • Kerry King R.G.
  • Gene Hoglan drums
  • Cliff Burton bass

Very cool lineup, haven’t heard that one before. What classic bands are you still listening to?

     MS: Well classic bands have always been a huge part of my road rage! Haha! But the ones I have been playing the most are Black Sabbath, Nirvana, Led Zeppelin, AC/DC and of course Motorhead! Jonny Boy has been cranking up the Crue lately, Motley Crue that is, along side Alice Cooper and a little bit of Dio! Chandleroni has been throwing down some old school Metallica beats lately and Guns n Roses are his main pick!
     It still freaks me out to see bands like Metallica and Guns N’ Roses to be thought of as classic bands. How about newer music that been in your ears?
 
     MS: .Me myself and I have been getting heavily into Children Of Bodom, Machine Head, Otep, Airbourne and that kick-ass new thrash band Dr. Livingdead! Tightydirzuweities has been getting into Volbeat (because i showed them to him!) Mastodon (same!) and Dethklok Chandler “Hulk” Hogan definitely went heavier with the newer bands cranking Messhugah, Five Finger Death Punch, Divine Heresy and Justin Bieber! (he’ll kill me for that one) haha
     Have you lit the stage on fire yet? Or is gigging still to come?
     MS: No! Sadly, we have had plenty of people come down to the practices and jam out with us but no gigs as of yet! Mainly because we are minus a bassist and also because I come from the middle of bum-fuck nowhere where all you have are the rednecks and their four-wheelers and the preps with their books (what are those people going to do when they have to leave high school by the way? Rednecks will probably keep on doing what they do, and the preps will burst into flames when they realize the world isn’t made of cookies and books) … yeah… but no.
 
     The music scene has changed so much around me during my life. What is your take as a new band?
     MS:  The music “scene” as a thought of the collective band is not where we want it to be, I mean it’s not a drought or anything, you don’t see Ozzy with empty floors and nosebleeds, but the appreciation is gone i think. You know back in the day when people were going to bars and pubs to see Metallica, they must have really thought “wow! That takes talent! Look at his fingers fly! How is he hitting the bass drum so fast! Do you hear how he wails the vocals! Bass! Lights! MUSIC!!!!” You just don’t see that nowadays. It’s all about who can play fastest or come up with the most satanic lyrics, or for the other side of the spectrum, who can say bitch the most times or who can hit that button on the drum machine in the fanciest way. Theres just such a shortage of people who will take the time to sit down and listen to what the band is doing, appreciate the work and meaning of their instruments singularly and as a whole. They all want it now, now, NOW!  They don’t want the adventure to getting to a good part in a song like in “It Gets Me Through” by Ozzy, that piano riff is good, but it gets repetitive, I’ll admit, but I appreciate the work that went into it and I love the ride it gives me before Zakk cranks out that amazing riff.
     Everyone has some music in their collections that is a “guilty pleasure” for them and yet would surprise others. Fess up about yours.
          MS:  Haha that’s a fun one. Me I love classical music so you’ll find plenty of Luciano Pavarotti, Beethoven, Mozart and Bach. Also I love the Rat Pack, so there’s tons of Mr. Sinatra on there as well. Jonny the Honey finds an awkward enjoyment from that new electronic doohickey they like to call dubstep or whatever. Personally I think thats silly. As for Bambi Chandi you’ll find loads of gay porn sounds and Justin Bieber brushing his teeth. Haha. (He likes Frank Sinatra as well) ha-ha
Where did the name Messiah Sin come from?
     MS: Well all we can think to say here is Messiah Sin is NOT a satanic metaphor. Most people like to try to make it into that, nope, It’s a metaphor for following that little voice inside your head saying maybe you should push past that comfort zone and do something that might be considered wrong. Do it because you never know how much time you have left to do crazy things. Its better to be 90 and on your death-bed saying “wow, I can’t believe I did that!” rather than “Man, I wish I did that”. Messiah Sin stands for temptation in all its glory. Hence FYMS, FOLLOW YOUR MESSIAH SIN!!!!!!!
 
                From the whole band! Thank you Mr. Hellion! It means everything! Much Love and Respect
                Allen Joseph Greene (Lead Guitar)
                Jonathan Grey Dirzuweit (Rythym guitar/Vocals)
                Chandler R. Hogan (drums)

                                                    MESSIAH SIN

     There you have it. I’m gonna keep my eyes and ears on this band. Hopefully they weather through the trials and tribulations and succeed.
the Hellion

09/03/2012 SHOW!

THE GUITARISTS OF OZZY

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I often wonder if Ozzy himself reflects on his history of guitarists. I know I have on several occasions. I have also wondered about other guitarists and how they would have fit in Ozzy’s band. Let’s look at the history of Ozzy’s guitarists and then we’ll imagine some other players and see what we think.

RANDY RHOADS 1979 – 1982

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Blizzard of Ozz (1980), Diary of a Madman (1981), Tribute (1987)

Any fan of Ozzy knows of Randy. When the world first got their ears filled with the sounds of Randy’s guitars they knew everything had changed. It is in my opinion that Randy changed the game forever.

“Crazy Train”  -Randy version

BERNIE TORME  1982

No albums made with Ozzy

Bernie was the immediate successor to Randy following his death. Big shoes to fill as he was hired to play makeup dates,  and he was playing through Randy’s gear, AND he had to learn all of the songs in a week. Bernie only stayed on tour for three weeks before leaving to form his own band.

“Crazy Train” – Bernie version

BRAD GILLIS 1982 – 1983

Speak of the Devil (1982)

Brad came in following the departure of Bernie. He filled in and recorded a live album with Ozzy before leaving for Night Ranger.

“Crazy Train” – Brad version

JAKE E LEE 1983- 1987

Bark At The Moon (1983), The Ultimate Sin (1986)

Jake E Lee was in the running with George Lynch for the coveted spot. He obviously won out which I think was good move for Ozzy as Jake seemed suited for his band. We got some good songs from the Jake E Lee lineup as well.

“Crazy Train” – Jake E Lee version

ZAKK WYLDE 1987–1992, 1995, 1998, 2002–2004, 2006–2009

1988: No Rest For The Wicked, 1990: Just Say Ozzy (live album), 1991: No More Tears,  1993: Live & Loud (live album),  1995: Ozzmosis,  2001: Down to Earth,  2002: Live At Budokan (live album),  2007: Black Rain

Zakk Wylde (he seems to make a lot of my blog posts) was, in my opinion, Ozzy’s strongest guitarist. The successful period with Zakk cannot be ignored. The writing combination of Zakk/Ozzy made some of the most memorable in Ozzy’s career.

“Crazy Train” – Zakk Wylde version

STEVE VAI 1994

No recordings

After one of Zakk’s departures Steve filed in temporarily for Ozzy. Vai began writing and recording with Ozzy Osbourne. One track from these sessions, “My Little Man”, was released on the Ozzmosis album. Despite Vai penning the track, he does not appear on the album.

No video found.

ALEX SKOLNICK 1995

No recordings made

Alex had a brief stay in supporting Ozzy and not much else was done other than that.

“Crazy Train” – Alex version

JOE HOLMES 1995–1998, 1999–2001

Song “Walk on Water” From Beavis and Butt-Head Do America Soundtrack (1996)

In 1995, after Ozzy Osbourne had finished recording the Ozzmosis album, a replacement for Zakk Wylde was needed for the tour. Joe got a call from Dean Castronovo (Oz’s drummer) to let him know they were seeking a guitar player. Joe went down to Audible studios in Los Angeles and played three Ozzy classics.  Holmes did not mention that he had taken lessons from Randy Rhoads as he thought it would hurt his chances at the job.

“Crazy Train” – Joe Holmes version

JERRY CANTRELL 2004–2006

Under Cover (2005)

Jerry did Ozzy’s cover album for him and it was a damn fine job. If you haven’t heard it you should definitely check it out.

No video found

GUS G 2009-present

Scream (2010)

Gus was brought in when Ozzy and Zakk parted ways. Ozzy was trying to get away from what he perceived as a blurring of the lines between himself and the BLS sound. We shall see what becomes of writing future records with Gus. More power to him!

“Crazy Train” – Gus G version

Whew! What an impressive list of players! But what if Ozzy had tapped Dime, EVH, Herman Li, Buckethead, John5, or DJ Ashba? Something to think about…..thanks for playing!

P.S. thanks A.J. Greene

http://www.facebook.com/pages/Rock-U-Night/397752036952904 Like this!

the Hellion