Coming up on March 1st here in Albuquerque NM there is going to be a stellar alignment of Rock N’ Roll. Three of Rocks greatest newcomers will be playing a show like no other. Rusty Tramp, Scattered Hamlet, and Scars Blue!!!
under the pale moonlight in the Appalachian woods there was a stirring. The deep-throated rumble of an engine awoke the Appalachian Apostle from his slumber. The sound of boot heels approached as he grabbed his shotgun. The Appalachian Apostle opened his door and saw a shadowy figure leaning against the porch post. “What the hell do you want?” he saw an orange car with a deer skull and a rebel flag plate rumbling in the yard. “They call me the Hell Rider.” the shadowy figure said. “I got a mission for ya. I need ya to spread the word of Skeleton Dixie.” The Apostle stroked his beard and said, “Well alright, but I gotta round-up some friends first. Let’s call down the thunder first.” Thus the adventure begins…….
After a LONG, LONG drive from NM to Los Angeles CA we got some sleep and woke up and headed to Anaheim to take in the experience that was NAMM 2013.
outside of NAMM 2013
It started out with my typical run of luck. My partner in NAMM 2013, Charlie M.F. Owens, rolled in and was badged in a matter of minutes. Me, not so lucky, I was told “your badge has already been printed, so go to the badge pickup line.” I did, no badge, and was told “oh, you’re media, go to this other building to get your badge.” Again, I did, waited in line got up to the counter and…..”Hmm sir your badge won’t print out, you need to go to this other line.” Yet again, I did and finally, just as I was losing hope….SUCCESS!!! I have to give credit to the NAMM staff. They were handling the HUGE influx of people efficiently and with smiles on their faces.
We got in and were wowed by the amount of gear and people there.Our first mission was to attend a press conference help by Orange Amplification http://www.orangeamps.com/. They were launching a new, revolutionary tube tester. Video of the press conference will be available soon on our www.rockunight.com site.
Orange Amp press conference
We headed towards the Aria booth as I had been in contact with them about something special. The Cliff Burton signature bass guitar. We stood in awe of it as we were shown the prototype by Mr. James Chen. He was the man behind the design and build of this amazing bass, and he gave us an exclusive interview of the bass and it’s design. http://www.ariaguitars.com/ The interview will be available soon on our www.rockunight.com site. Here’s a pic of this amazing bass:
Cliff Burton Signature Bass by Aria
Cliff Burton Bass poster
We wondered about in wonder at all of the bells and whistles, glam and glitz that was NAMM 2013 day one. In our travels we ran into one Rikki Rockett at his Rockett Drum Works Booth. http://www.rockettdrumworks.com/
I was lucky enough to have caught Great White Featuring Jack Russell recently in Farmington, New Mexico. As usual, Jack put on an outstanding performance. What was very cool was the band itself, featuring Derrick Pontier on drums, Matthew Johnson on guitars, Robby Lochner on guitars, and Dario Seixas on bass. The band itself was tight and clean, true professionals at their craft.
Dario and Robby TCOB!
I managed to get a hold of Dario on the phone for an audio interview. Great guy, great stage presence, and great friend and supporter to Mr. Jack Russell. Give it a listen right here:
Andy- Lead Vocals
Tom – Guitars
Goran – Bass
Michael – Drums
The up-and-coming sensational four-piece modern metal band ToxicRose was formed in Stockholm Sweden in 2010.
Consisting of Tom (Gemini Five), Andy and Michael (both EX Lipstixx ‘n’ Bulletz) and Goran (EX Sexydeath).
There is no compromising or limits in the world of ToxicRose. Powerful Vocals combined with Aggressive Guitars , Grand melodic Synths & Dark Emotional Lyrics.
TXR stands tall for the outcast and they’re here to take metal to a new level.
With their catchy melodic epic metal anthems and shocking look they are unstoppable!
Peter Tägtgren – Vocals & Guitar
David Wallin – Drums (2003)
Michael Bohlin – Guitar (2007)
Johan Husgafvel – Bass (2007)
PAIN is a musical project from Sweden that mix heavy metal with influences from electronic music and techno. The project started out as a hobby project for front man Peter Tägtgren, whose idea was to fuse heavy metal with 1980s-inspired electro-industrial and techno influences. Tägtgren, who is also the vocalist/guitarist of Hypocrisy and producer of his own The Abyss studios, is the only current member.
Jason M Arigoni -Vocals-Songwriting
Dan Zavadil- Bass-Songwriting
Session Players:
Jason Bittner-Drums
Ben Carroll-Guitar
With strong melodic presences and driving beats, HALF PAST MY SIN will find a place with fans of bands like SEVENDUST, DISTURBED and DROWNING POOL, to name a few…..
The new Album from Half Past My Sin “4:44” featuring Sinn on vocals and Dan Zavadil on bass with special guests Jason Bittner of Shadows Fall on drums and Ben Carroll of RA on guitars!!! Also appearing on 4:44 will be the songwriting Clint Lowery of Sevendust!!!
Out early 2013!!!!
welcome to the sin!!!
Jason Newsted – Bass, vocals
Jesus Mendez Jr. – Drums
Jessie Farnsworth – guitars
In December 2012, Jason announced that he had formed his own band called Newsted with drummer Jesus Mendez Jr. and guitarist Jessie Farnsworth. The band released a four-song EP, titled Metal, on January 8, 2013.
Ricky Warwick – Vocals/Guitar
Scott Gorham – Guitars
Damon Johnson – Guitars
Marco Mendoza – Bass
Jimmy DeGrasso – Drums
In October 2012 Thin Lizzy announced that they would not be recording new material under the Thin Lizzy monicker. The last incarnation of the band – Scott Gorham, Brian Downey, Darren Wharton, Ricky Warwick, Damon Johnson and Marco Mendoza – would be looking to form a new project.
Step forward Black Star Riders…
Today sees the announcement of the new band formed by Thin Lizzy alumni Ricky Warwick (vocals), Scott Gorham (guitar), Damon Johnson (guitar), Marco Mendoza (bass) with new addition Jimmy DeGrasso on drums (Alice Cooper, Megadeth, David Lee Roth, Suicidal Tendencies). The change in personnel came about as Brian Downey didn’t want to commit to the touring cycle a new album would entail and Darren Wharton wanted to concentrate on Dare and other music and film projects.
Black Star Riders is set to enter the studio in Los Angeles in January 2013 to start recording their debut album with the legendary Kevin Shirley (Led Zeppelin, Iron Maiden, Aerosmith, Rush). The album will feature material the band wrote whilst touring as Thin Lizzy and the sound retains that classic feel but is very much its own as well. The Black Star Riders record is the next step in the evolution of the Thin Lizzy story.
Chad Smith – Drums
Boe Skadeland – Bass
Todd Evans – Guitar/Vocals
Based out of Toledo, Ohio, MOBILE DEATHCAMP has been sawing clubs in half, and leaving crowds with their collective jaws on the floor since the band’s inception in 2008. Formed by Todd Evans at the end of his 6 year stint as Beefcake The Mighty with the legendary shock rockers, GWAR, and joined in aural battle by Boe Skadeland and Chad Smith, this musical terror pocket has been consistently leveling venues across North America.
Johnny DiCarlo – Lead Vocals – Guitar
James Watson – Guitar – Vocals
Marcus Giannamore – Drums
George Scott – Bass
“NeverWake” concentrates on songs that reside between Rock and Metal to bridge both genres. They combine memorable, melodic vocals and gothic guitar harmonies over heavy distortion to achieve their style. They are currently looking to be signed to a record label and hit the road. NeverWake continues to develop their style by incorporating more complex riffs, heavier background vocal style, and dark orchestration while keeping their melodic lyricism. NeverWake released their debut full-length album “VITALITY” in August 2011, produced/engineered/mixed by Mike Ofca at Innovation Studios! “Vitality” is available on iTunes and other main online retailers. You can also order the hard copy by emailing neverwakemusic@gmail.com for inquires.
Recently, they have also released their debut music video on YouTube for the song “Pulse”, produced by Jeff Moore of Axtravaganza Films!
Mark Alexander – Guitar
Sam Rhodes – Guitar
Jason Sain – Vocals
Matt Staley – Bass
Kenny Wyatt – Drums
3 Quarters Dead was formed back in 1999 with original members Kenny Wyatt and Mark Alexander. After they returned from a tour with Mushroomhead, they began recording their second full length CD with Steve Felton (Skinny) of Mushroomhead. The vocalist at that time was Waylon Reavis who was recruited by Mushroomhead to take the place of J-Mann (aka Jason Popson) who had announced his departure from the band. After starting all over, they finally found a vocalist that suited their style of music. Jason Sain started with the band in late 2007. In 2008 they recorded “Between Angels & Demons” with producer Jamie King of ‘Between The Buried & Me’, ‘The Human Abstract’ fame. In late 2009 they signed with indie label ‘Project Alpha Music’ and released their latest effort “Once Upon This Broken Glass” in March, 2010.
The lead single, “The Unknown” is off of their new CD “Once Upon This Broken Glass. It about loves someone who doesn’t love you back. This song has many melodic sections to it. But when you hear the change ups which are dynamic, it sets a tone of a story being told through 3 degrees of separation. These three levels are clearly defined and portrayed beautifully by the talents of these individuals.
In 2009, Uta Plotkin added her voice to Witch Mountain in front of a triumphant sold out crowd at Portland, OR’s venerable club Satyricon. Supporting Pentagram—East coast godfathers of American doom who also took far too long to receive their rightful due—Plotkin brought the necessary ingredient that Witch Mountain founders Rob Wrong and Nate Carson had been seeking since they initially formed the group back in 1997.
Originally far out of step with the lazy, indie-rock scene in Portland, guitarist Wrong and drummer Carson sought to put their own stamp on the tradition of doom metal as laid down by Black Sabbath, Candlemass, Trouble, and Saint Vitus. Years of road work in support of peers such as High on Fire, Spirit Caravan, Electric Wizard, YOB, Weedeater, Eyehategod, and all the rest had granted Witch Mountain a solid footnote in the history of one of music’s heaviest genres. And though real life careers took the band largely out of commission between 2003 and 2008, Plotkin’s emergence kicked the band back into a high gear that shows no signs of waning.
With renewed vigor, WM returned to the studio to capture the long-awaited sophomore album South of Salem. Produced by master “engine-ear” Billy Anderson (Sleep, Neurosis, Melvins), the record was self-released by the band on vinyl, and shortly thereafter recognized as the “#4 Best Metal Album of 2011” by NPR. With a SXSW showcase, west coast tours with Christian Mistress and Wino project Premonition 13, and a massively downloaded Adult Swim compilation under its belt, Witch Mountain proved its modern work ethic and soon signed up with dream label Profound Lore.
Once South of Salem was unleashed on CD and properly distributed, it was time to follow up with all new material. 2012’s Cauldron of the Wild was the answer, produced once more by Billy Anderson, and this time featuring a further matured sound and more immersive influence from Plotkin. Rob Wrong was writing the best, heaviest blues-metal he’d yet conjured, and Carson–as both manager and booker–kept the band grounded in a professional DIY ethic. New bassist Neal Munson fit like a glove, and overall the group has never fired on all cylinders so successfully.
I was seven years old when I first heard “Starship Trooper”. I was enraptured by it, it took me away to the stars and beyond. My mom turned me on to Yes and I was hooked. I have remained a fan throughout the years.
Formed in 1968, by Chris Squire, Yes has been cutting edge ever since. They have risen from obscurity, to the heights of success. There have been many different lineups throughout the years with some outstanding musicians.
The most successful lineup (in my opinion) consisted of: Jon Anderson – lead vocals, percussion, guitar, harp, various others, Chris Squire – bass, backing vocals, various others, Steve Howe – guitars, backing vocals, various others, Bill Bruford – drums, percussion, various others, Rick Wakeman – keyboards, piano, Hammond organ, Mellotron, various others.
During the 80’s they had hits from the lineup of: Jon Anderson – (vocals), Tony Kaye – (Keyboards), Trevor Rabin – (Guitars, vocals, additional keyboards), Chris Squire – (Bass, vocals), Alan White – (Drums, percussion, backing vocals). This lineup gave us hits like: “Owner of a Lonely Heart”, “It Can Happen”, “Leave It”, and “Changes”
The current lineup of Yes consists of: Chris Squire – (bass, backing vocals, various others), Steve Howe – (guitars, backing vocals, various others), Alan White – (drums, percussion, backing vocals, various others), Geoff Downes – (keyboards), Jon Davison – (lead vocals, various others)
From 1 March to 12 April 2013, Yes will embark on their Spring 2013 North American tour. The band will play three albums a night for the first time in their entirety: The Yes Album, Close to the Edge and Going for the One. During the Spring 2013 North American tour, Yes will lead a progressive-rock themed cruise titled Cruise to the Edge from 25 to 30 March 2013. Yes will also be going into the studio in the fall 2013 to record a new album, their 21st studio album and the first with Jon Davison.
The progressive rock music of Yes deserves a listen.
Take two parts Free, one part Mott the Hoople, and one part King Crimson and what do you get? BAD COMPANY! This great combination came together in 1973 and the result was some iconic music that stands to this day.
Paul Rodgers (vocals), Simon Kirke (drums), Mick Ralphs (guitars), and Boz Burrell (bass) are the elements of Bad Company.
This power house gave us such phenominal songs as “Bad Company”, “Can’t Get Enough”, “Good Lovin’ Gone Bad”, “Feel Like Makin’ Love”, and “Shooting Star”.
Alas 1982 brought the disbanding of the original band.
In 1986 Mick Ralphs and Simon Kirke hired ex-Ted Nugent vocalist Brian Howe, Steve Price (bass), and Greg Dechert ex-Uriah Heep (keyboards).
1995 brought about further changes, Brian Howe left the band and was replaced by ex-Distance vocalist Robert Hart.
1998 brought the original band back together to record four new songs, a short tour and again, inactivity until 2005.
Sadly, Boz Burrell passed away in 2006.
The band now consisting of Simon, Mick, and Paul with touring support from Lynn Sorensen (bass), and Howard Leese ( guitars, keyboards, backing vocals) does periodic shows.
Bad Company will always be one of my formative bands and forever in my ears and my heart. They will always be the Merchants of Cool:
Joe Holmes, in my opinion, is a highly overlooked player. The man took lessons from Randy Rhoads in the late 70’s, was a member of Lizzy Bordin, replaced Jason Becker in David Lee Roth’s band when Jason was diagnosed with ALS, and filled in for Zakk Wylde in Ozzy’s band. Here is a video for “Mr. Crowley” featuring Joe Holmes on guitar:
Now Joe is back with a vengeance with FARMIKOS. I have heard one track and I must say I am blown away. According to the FARMIKOS Facebook page Joe has been working with vocalist Robbie Locke and had guests like Robert Trujillo and Brooks Wackerman, and song writing contributions from Brent Hoffort.
How many people recognize the name Gregg Rolie? I can almost guarantee you’ve heard his voice (unless you’ve been hiding under a rock with your fingers in your ears). Let me jog your memory a bit:
That’s right Gregg was the voice behind that Santana classic. In 1965 Gregg joined up with Carlos Santana and formed the Santana Blues Band. Eventually it was shortened to simply Santana. Gregg was with Santana at Woodstock in 1969. He was also known for his distinctive sound of his Hammond B3 organ. I know you know this classic:
Gregg and Carlos Santana had some differing opinions on the direction of the band and Gregg left at the end of 1971. Gregg returned to his home in Seattle and partnered into a restaurant with his dad. It so happened that it wasn’t that successful.
In 1973 Gregg joined forces with another Sanatana alumni Neal Schon. This was the begining of Journey. Gregg was the lead vocalist for Journey up until 1977. Here are some Journey with Gregg throughout the years:
Gregg left Journey in 1980 for a solo career. He released several solo records some of which featured the talents of Carlos Santana, Peter Wolf, Neal Schon, and Craig Chaquico. Here is one of my favorite tracks from the 1987 release Gringo:
In 1991 Gregg teamed up with Steve Smith and Ross Valory from Journey to form a new band called The Storm. Here is a track called ” I’ve Got A Lot To Learn About Love”:
Gregg continues to make music to this day with the Gregg Rolie Band:
Gregg is also a strong supporter of music education for children. In 2005 he became an official supporter of Little Kids Rock (http://www.littlekidsrock.org/) which is a nonprofit organization that provides free instruments and and lessons to disadvantaged public schools in the U.S.A. He is a member of the Honorary Board of Directors.
Gregg was also inducted into the Rock and Roll Hall of Fame in 1998 with Santana.
Gregg is an all around renaissance man in the world of music.
Retro Look and Sound Meet New Technology at NAMM Show
Manufacturers create guitar, bass, amp and drum lines to meet recent demand for vintage looks and sounds in unique gear with a boutique feel
Carlsbad, Calif. (December 27, 2012) – A blast from the past will ring out at the 2013 NAMM Show as manufacturers responding to consumer demand introduce new products with a vintage look and sound. Retailers, having heard the growing demand for vintage-inspired musical instruments and equipment will be looking for new products that meet the demand of customers clamoring for unique pieces. The NAMM Show returns to Anaheim, CA from January 24-27, 2013.
“Over the last few years, gear that looks, feels and sounds vintage has taken off,” said George Coutretsis, GM of Chicago Music Exchange. “The trend in indie-rock is toward using vintage gear, which is building demand in a younger adult audience for these pieces. We’re looking for products at the NAMM Show that make the player feel unique and inspire them to start bands, make music and play more.”
Coutretsis uses the term “reliced” to describe instruments and equipment that have been manually distressed, as one would handle a pair of jeans for a worn-in, loved look. Boutique instruments sometimes incorporate such design elements, while others are constructed to showcase the luthier’s artistry. Retro items made in the United States or by hand are also in demand, as the call for unique and distinguished pieces increases.
“The major brands and as well as our smaller, boutique craftsmen are boosting this trend with some truly unique instruments, many of which will be unveiled or highlighted at this year’s NAMM Show,” said Joe Lamond, president and CEO of NAMM. “Artists around the globe are constantly looking for music and sound products that help them express their creativity and NAMM members will continue to look forward as well as to legacy designs to serve them.”
Nostalgia for what Neil Young called the “old, folky days” seems to be the inspiration for the retro collections soon to be offered by Bedell Guitars. Designed after the guitars of the early ‘60s, the Coffeehouse series and the 1964 series feature all solid woods, dovetail neck-joints, classic comfortable neck profiles and other details designed to recall the look and sounds of acoustic guitars produced 50 years ago. The company plans to unveil the series at the NAMM Show 2013.
“The music industry is naturally vintage minded. We value things with a history,” said Ryan Bouslaugh of Bedell’s artist relations department. “A 2012 Toyota Camry drives just great, but really, everyone wants that classic ’57 Chevy.”
The trend is particularly evident among electric guitars, basses and amplifiers, with many major brands releasing or adding to nostalgia-inspired collections. Retro shapes, colors and components that help re-create the sound of a vintage piece are hallmarks of these instruments.
“We’re coming out of a hi-tech, industrial design era,” said Richard McDonald, senior vice president of marketing for Fender Guitars. “We turn toward vintage because it is more approachable, whimsical. People respond warmly to that vibe.”
Some of these new additions will be seen for the first time at NAMM 2013. Fender Guitars, the roots of which reach back to the very era many are resurrecting, plans to debut guitar and bass additions to its already-popular Pawnshop series. Also at the show, the Excelsior, Fender’s distinctive tube-combo amplifier will be re-issued in a limited edition. Gibson honors one of the godfathers of guitar with its collection of tribute Les Paul guitars, made in the style of the ‘50s, ‘60s, ‘70s and beyond. The series, which is dubbed “The Year of Les Paul” collection, will be introduced at NAMM Show 2013.
C.F. Martin & Co.’s four-piece Retro Series that debuted at NAMM in Nashville will be featured prominently by the brand at the show. The Retro Series is based on C.F. Martin & Co.’s guitars from the 1930s and ‘40s, melding traditional models with state-of-the-art technology.
Retailer Gary Forkum of Fork’s Drum Closet in Nashville attributes the trend to a new generation of musicians discovering classic bands such as The Rolling Stones. This younger consumer is behind the success of some of Forkum’s best sellers. “Items such as the Ludwig Classic Maple three-piece kits in vintage colors, sparkles – these types of items are a big focus for us,” he said. “The trend has been coming on for a little while now, but this year it has been very big.”
Aficionados and musicians are also turning to vintage-styled components to alter the sounds of their equipment to replicate the sounds of the bygone days. “Numerous areas of the MI market have experienced a resurgence of classic designs and products,” said Fred Gretsch, president of The Gretsch Company. “Walk in to any music shop, and you’ll see all sorts of ‘vintage inspired’ products. Sales of Bigsby products have been very strong in recent years which is partially due to new manufacturer OEM models, but also as consumers are trying to recreate classic instruments of yesteryear, modify their beloved main guitar, or simply add value to the guitar under the bed.”
The retro trend is in full swing and will be on vibrant display for retailers and buyers to see, hear and demo at NAMM Show 2013. Registration is now open for qualified members of the music instrument, product and pro-light and sound industries. Exhibit space is still available for the 2013 event. Learn more about the 2013 NAMM Show at http://www.namm.org/thenammshow/2013.
the Hellion Rocks 